A Study of the Carpenters in the Early Modern Period and Munafuda (dedication board) of Temples and Shrines in the Northern Kyushu
A Study of the Carpenters in the Early Modern Period and Munafuda (dedication board) of Temples and Shrines in the Northern Kyushu
批准号:
03805055
负责人:
SATO Masahiko
金额:
$1.54万
依托单位:
依托单位国家:
日本
项目类别:
Grant-in-Aid for General Scientific Research (C)
财政年份:
1991
资助国家:
日本
项目状态:
已结题
起止时间:
1991 至 1993
中文摘要
1.Munafuda(奉献委员会)记录了特定建筑的建造历史和日期、赞助商的姓名、建筑师和木匠等。在落成仪式上。穆纳福达还登记了各种愿望、佛经中的语录、符号以及神和女神、佛陀的名字。奉献板的形式大致可以分为三种类型:方型(平头型)、森托型(尖头型)、圆头型(圆头型)。至于Munafuda的精加工工具,AXS和YARIGANNA在中世纪使用,但在近代早期很常见。Munafuda起源于用印度墨水在屋顶的脊杆上题字。在这一结果中,我将对此给予一些考虑。我在这个结果中检查了九州北部神道教和佛教寺庙的MUNAFUDA(奉献委员会)的形式、材料和修整。结果如下:…考试MUNAFUDA的更大尺寸(总高度、厚度、上、下宽度和侧面高度)表明,并不总是遵循“大正-铁甲”所规定的尺寸,奉献板不一定是按照吉祥的比例制作的。也就是说,奉献板的大小取决于描述句子的长度和字母的大小,以及各种奉献板所在的空间。MUNAFUDA的形式大致可以分为三种类型:森托式(尖头式)、方式(平头式)和恩托式(圆头式)。在每种类型中,都有上角或下角被切断的类型。刻意切断其中一个角落是为了把献礼板变成护身符。至于MUNAFUDA的整理工具,AXS和YARIGANNA在中世纪使用,但在近代早期很常见。MUNAFUDA的材料通常是附近获得的木材。在九州北部,日本柏类约占所有树种的55%,其次是日本柏类,其次是松属、樟属和泽尔科瓦属。较少
英文摘要
1. Munafuda(dedication board) records the history and date of the construction of a specific building, the name of the sponsor, the architect and the carpenters etc.at the topping-out ceremony. Munafuda also registers various wishes, quotations from the sutras, symbols and the names of gods and goddesses and Buddhas. The forms of the dedication board can roughly be classified into three types...square style(a level-headed type), sento style(a point-headed type), ento style(a round-headed type). As for the finishing tools of munafuda, axs and yariganna were used in the middle ages, but in the early modern age planes were common. Munafuda originates from inscription of the ridgepole of a roof with indian ink. And I am going to give some consideration about it in this result.2. I have examined in this result the form, material and finising of MUNAFUDA(dedication board) of Shinto shirins and Buddhist temples in the northern part of Kyushu. The outcome is as follows :The examination of the … More size (the total height, the thickness, the upper and under width, and the side height) of MUNAFUDA has shown that the size which "Daisho-tekagami" dictated was not always observed, and that dedication boards were not necessarily made according to an auspicious scale. That is, the size of a dedication board was determined by the very length of the description sentence and the size of letters, and the space on which various dedication boards were attached. The forms of MUNAFUDA can roughly be classified into three types...sento style(a point-headed type), square style(a level-headed type)and ento style(a round-headed type). In each type, there are ones with their upper or lower corner cut off. This deliberate cutting-off of one of the corners was meat to turn the dedication board into an amulet. As for the finishing tools of MUNAFUDA, axs and yariganna were used in the middle ages, but in the early modern age planes were common. The material of MUNAFUDA is generally wood obtained nearby. In the northern part of Kyushu, Japan ceder occupies about 55% of the all mate-rials, followed by Japanese cypress, then pine, camphor, and zelkovas. Less
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佐藤 正彦: "佐賀県の大工について" 九州産業大学工学会誌. 第28号. 16-23 (1991)
佐藤正彦:“关于佐贺县的木匠”九州产业大学工学学会杂志第28. 16-23号(1991年)。
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通讯作者:
Masahiko Sato: "Carpenters in Saga Prefecture (part 1)" Kogaku Kyushu Sangyo University. No.28. 16-23 (1991)
佐藤正彦:《佐贺县的木匠(第1部分)》工学九州产业大学。
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通讯作者:
Masahiko Sato: "A Study of Munafuda" Bulletin of the Faculty of Kyushu Sangyo University. No.30. 219-226 (1993)
佐藤正彦:《宗札研究》九州产业大学学部通报。
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Masahiko Sato: "Carpenters in Fukuoka Prefecture (part 1)" Kogaku Kyushu Sangyo University. No.28. 59-82 (1991)
佐藤正彦:《福冈县的木匠(第1部分)》工学九州产业大学。
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佐藤 正彦: "福岡県の建築工匠(その1)" 工学会誌. 28. 59-82 (1991)
佐藤正彦:“福冈县建筑工程师(第 1 部分)”工程学会杂志 28. 59-82(1991)。
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