A COMPREHENSIVE STUDY OF THE SIGNIFICANCE OF ARTISTS'S TRAVELS IN THE DEVELOPMENT OF ART

2001年12月4日，帕多瓦大学的Mari Pietroglovanna教授做了一个题为“意大利之旅：十六世纪下半叶在罗马和威尼斯旅行的北方画家”的讲座，这是我们在东京大学研究项目的一部分。当时举行了一次会议，讨论每个参加者在过去三年中所进行的研究的结果。同时拟定了最终研究报告的提纲，确定了最终研究报告的内容。因此，在研究报告中，山下教授特别提到了长谷川川在野户地区的流浪生活，而佐藤教授则根据两人2000年在野户地区进行的实地调查，研究了伊藤Jakuchu的几件艺术作品。另一方面，首席调查员提供了从古希腊和罗马时代到十六世纪上半叶艺术家旅行的重要性的概述；在这个过程中，他揭示了艺术旅行的某些方面，包括它的动机和目标，以及在路上不同的交通方式和生活方式，以提供一个尝试性的艺术旅行类型。秋山教授写了1500年左右意大利和德国国家之间艺术家的流动，其中特别提到了威尼斯画家雅各布·德·巴巴里。中村教授讲述了1603年鲁本斯肩负外交使命前往西班牙的经历。最后，三浦教授描述了19世纪获得罗马奖的年轻法国艺术家在罗马美第奇别墅的生活。该报告还将附上委拉斯开兹两次前往罗马的相关资料，以及戈雅持有和绘制的《El cuaderno italiano》（1770-1786）。

On December 4th, 2001, Professor Mari Pietroglovanna of the University of Padua gave a lecture entitled "An Italian Journey: Northern Painters traveling in Rome and Venice in the second half of the XVI Century" as a part of our research project at the University of Tokyo. On that occasion a meeting was held to discuss the results of the research each participant had undertaken for the past three years. At the same time an outline for the finale research report was drawn up and its contents determined.Accordingly, in the research report Professor Yamashita writes about Hasegawa Tohaku with particular reference to his vagabond life in the Noto region, while Professor Sato examines several works of art by Ito Jakuchu, on the basis of fieldwork undertaken by the two in the Noto region in 2000.On the other hand, the head investigator provides an overview of the significance of artists travels from ancient Greek and Roman times through the first half of the XVI century ; in the process, he sheds light upon certain aspects of artistic travel, including its motives and goals and the differing modes of transportation and lifestyles while on the road, in order to provide a tentative typology of artistic travel. Professor Akiyama writes about the mobility of artists between Italy and German countries around 1500 with a particular contribution concerning the Venetian painter Jacopo de Barbari. Professor Nakamura addresses a trip to Spain undertaken by Rubens, entrusted with a diplomatic mission, in 1603. Finally, Professor Miura describes the stay at the Villa Medici in Rome of young French artists who were winners of the Roman Prize in the XIX century. To the report will also be appended relevant materials concerning Velazques two trips to Rome, and the El cuaderno italiano (1770-1786) held and drawn by Goya.