General Study on Namban Screen

此次研究的目的是出版16世纪至17世纪欧洲与日本交流产生的南板屏风目录。关于现存南板屏风作品下落的信息交流，本研究的最大结果是能够确定现存南板屏风的总数。现在作品的总数达到了92件。这个数字远远超出了最初的预期。▽对作品的调查=包括海外作品在内，可以对62件作品进行调查。许多未被调查的作品，其目前的所有者是不确定的。分类调查的结果证实，除了最初的一个小例子外，对这幅画的描述以各种方式被重复使用。他们似乎是通过复制作品或具体使用教科书进行学习来重复描述。这些屏幕的分类目前仍在审查中。据认为，它分为四组50部作品和其余的（如果它敢分类，它分为两组）现在。▽研究结果的发表=该研究结果将在几年后以《南板屏风目录》的形式发表。现在的写作和编辑工作正在根据每个角色进行。

This research has aimed to publish the catalogue Raisonne of Namban screens which are produced as a result of the exchange of Europe with Japan from the 16th century to the 17th century.1. Information exchange concerning whereabouts of in existence work of Namban screenThe maximum result of this research is to be able to confirm a total number of in existence Namban Screens. The number of works came to count 92 in total now. This number far exceeds the expectation at first.2. Investigation of worksThe investigation of 62 pieces including the ones in foreign countries was able to be executed now. Many of works not investigated are whose present owners are uncertain.3. ClassificationAs a result of the investigation, it was confirmed that the depiction of the picture that proceeded was recycled in various ways excluding a little initial example. It seems that they recycled the description by copying the works or studying by using the textbook concretely.The classification of these screens is being still examined now. It is thought that it divides into four group 50 works and the rest (It divides into two groups if it dares to classify) now.4. Announcement of result of researchThe result of this research will be published as catalogue Raisonne of Namban screens in several years. The work of writing and the edit is progressing according to each role now.