Contextualising Treveran Grave Monuments

为了将特雷维里地区的罗马墓碑与背景联系起来，各种考古发现小组第一次被纳入了应用项目的范围。除了两个前身项目使人们能够进入的大型已建墓碑外，其他不同形状和格式的墓碑具有相当大的空间影响，形成了远远超出葬礼范围的空间感。这就是为什么新项目将关注所有墓碑的形式、空间、功能和符号(重新)背景，它们之间的关系，以及葬礼景观的重建。主要问题是各种墓地纪念碑如何与聚落相连，它们是如何嵌入到景观中的，因此，葬礼景观是如何发展的(1)。这是分析在Treveri和其他地区(C3)的主题、装饰品和建筑设计方面变化的战略和动态的关键。案例研究将集中在一个地方的墓地的布局、结构和用途，并将探讨罗马时代纪念文化的空间和仪式维度(C2)。此外，数字建模技术有助于检查接收的美学和指导(B1)以及墓碑的颜色编码和多色(B2)。项目部分(=PP)A将对材料进行放大，以挑出不同墓葬类型的视觉剧目中关于人物和装饰性图案及其精致的相互依存关系。PP B1将及时提供著名墓碑的可视化，而PP B2则探索重建原始颜色的技术可能性，以发现罗马时间的视觉表现中保存较差和研究不足的水平。只有在PPC1生成的数字地图和视觉分析的基础上，同时考虑不同的观者视角，才能研究殡葬景观的发展。与PP A和B1一起，这是在PP C3中进行符号学分析所必需的。PPC1的基础研究主要允许在我们的战略和变化动态的应用概念中增加一个地理空间部分。此外，绘制视觉变化图允许追踪形式在Civitas边界之外的转移，就像它揭示了本地和地区创建的图像及其增强一样。Said Concept捕捉了石头般的视觉折射，指的是当地赞助商以他们认为最新的方式表现自己的动机，通过这种动机，我们可以将他们与制作和使用它们的功能上下文联系起来。作为一个典型的案例研究，一个详细的当地分析进一步调查了外部参数及其对葬礼景观发展的影响(PP C2)。这一整体战略的目的是对整个特雷维里地区的罗马帝国时代的葬礼文化有一个新的视角。

Aiming to contextualize Roman grave monuments in the area of the Treveri, for the first time, various archaeological find groups are within the scope of the applied project. Apart from large built grave monuments, which two predecessor projects made accessible, other grave markers of different shapes and formats have a considerable spatial impact and form the perception of space far beyond the funerary sphere. This is why the new project shall focus on a formal, spatial, functional and semiotic (re-)contextualisation of all grave monuments, on the relations between them and on the reconstruction of the funerary landscape. Leading questions are how the various grave monuments connect to settlements and how they are embedded into the landscape, and, thereby, how the funerary landscape developed (C1). This is key to analyse strategies and dynamics of variation in terms of motifs, ornaments and architectural design, both in the area of the Treveri and beyond (C3). A case study will focus on the layout, structure and use of the necropolis in one place and shall inquire into spatial and ritual dimensions of the commemorative culture in Roman times (C2). Furthermore, digital modelling techniques help to examine the aesthetics and guidance of reception (B1) as well as the colour coding and polychromy of grave monuments (B2). Project part (=PP) A will amplify the material to single out the interdependencies in the visual repertoire of different grave types with respect to figural and ornamental motifs and their elaboration. PP B1 will provide timely visualisations of well-known grave monuments, whereas PP B2 explores the technical possibilities for the reconstruction of the original colours to discover a poorly preserved and under-researched level in visual representations of Roman time. We can study the development of the funerary landscape only based on the digital map and the visual analysis generated in PP C1, also considering different viewer perspectives. Together with PP A and B1, this is required to conduct the semiotic analysis in PP C3. Primarily the fundamental research in PP C1 allows adding a geospatial component to our applied concept of strategies and dynamics of variation. Moreover, mapping visual variations permits tracing the transfer of forms beyond the civitas-borders just as it reveals the locally and regionally created imagery and its enhancements.Said concept captures visual refractions in stone that refer to the motivations of local sponsors to represent themselves in what they considered an up-to-date manner and by which we can relate them to the functional contexts they were produced for and in use. As an exemplary case study, a detailed local analysis investigates further external parameters and their impact on the development of the funerary landscape (PP C2). The aim of this holistic strategy is to gain a new perspective on the funerary culture of Roman imperial times in the entire area of the Treveri.