The Idea of Prospect and the Poetic Imagination in 17th & 18th Century England
The Idea of Prospect and the Poetic Imagination in 17th & 18th Century England
批准号:
60510244
负责人:
KAWASAKI Toshihiko
金额:
$0.77万
依托单位:
依托单位国家:
日本
项目类别:
Grant-in-Aid for General Scientific Research (C)
财政年份:
1985
资助国家:
日本
项目状态:
已结题
起止时间:
1985 至 1986
中文摘要
本研究以绘画、素描、戏剧为背景,从现象学的角度考察17、18世纪英国世纪的前景单位观念,其中,从拿破仑时代到拿破仑时代的戏剧中,包含了政治层面的内容,体现了Vantage观念的转变。例如,在《暴风雨》中,普洛斯彼罗的Vantage位置总是在国王和观众之间摇摆。因此,所谓的透视法,就是从美学上修正观众与演员之间距离的一种方法。这一事实使我们能够假设,广场恐惧症的背后应该有一幅世界图景。18世纪的Vantage视角是自然神至上论,它被比作轮子机器。这台机器的工作是相互依赖的。分级顺序是这种机器的主要原理。这一思想是以绘画美的理论为基础,涵盖了整个自然世界。基于以上事实,我们决定对约翰·德纳姆、安德鲁·马尔维尔和理查德·布莱克摩尔进行报道,德纳姆固定Vantage视角和马尔维尔迂回的Vantage视角的不同,很好地反映了从绝对主义到自由主义转变过程中潜藏的私人生活与政治生活的冲突。世纪的布莱克摩尔是一个拿起了自然神论的神的位置的人,他统治着由生物组成的整个世界。这也揭示了以教皇的话为象征的“凡是正确的就是对的”的现状统治世界的原则。“我们下一步将讨论视点和视线的问题。
英文摘要
The aims of our study were to consider the phenomenological aspects of the unit idea of prospect in 17th & 18th century England with paintings, descriptive sketches, and dramas for the background.Shakespearean dramas which include political phases inherent in the period between the Elizabethan age and the Jacobean period show the shift of the vantage point of view. In The Tempest, for instance, Prospero's vantage point is always oscillating between that of King and that of the audience. So the so called Shakespearean perspective is a method to modify aesthetically the distance which exists between the audience and the actors. This fact enabled us to assume that there should have been behind the agoraphobic world picture. The vantage point of survey of the 18th century was that of the deistic Supreme which is compared to the wheel-machine. This machine works depending on each other. The sequence of gradation is the chief principle of this kind of machine. This idea covers the whole natural world based on the theory of the picturesque beauty. From these above facts we have decided to report on John Denham, Andrew Marvell, and Richard Blackmore.The difference between Denham's fixed vantage point of view and Marvell's circuitous vantage point well shows the conflicts between private life and political one which lurked in the change from Absolutism to Republicanism. Blackmore in the 18th century was a man who picked up the position of the deistic god who dominates the whole world which consists of taxas. This also revealed the principle of status quo to govern the world symbolized by Pope's words, "whatever is is right." Our next step will be to discuss the problem of the view point and the sight.
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Kawasaki, Toshihiko: "Shakespeare in Green Woods" The Journal of the Faculty of Literature, Nagoya University. 32. 185-208 (1986)
川崎俊彦:《绿林中的莎士比亚》名古屋大学文学部学报。
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Kawasaki, Toshihiko: "The Idealized Landscape" Hermes. 6. 1-14 (1986)
川崎俊彦:“理想化的风景”赫尔墨斯。
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Kamio, Mitsuo: "Immensity and the Imagination: the Protean Sublime" The Journal of the Faculty of Literature, Nagoya University. 32. 209-230 (1986)
Kamio, Mitsuo:“巨大与想象力:千变万化的崇高”名古屋大学文学部学报。
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Kamio, Mitsuo: "Outside and Inside the Haunted Castle" Studies in English Literature. 63. 61-74 (1986)
Kamio, Mitsuo:“闹鬼城堡的外部和内部”英国文学研究。
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