Max Reinhardt’s promptbook to Arthur Schnitzler's ›Reigen‹. Digital presentation with transcription, translation, comments and contexts

该项目旨在为亚瑟·施尼茨勒（Arthur Schnitzler）的《雷根》（Reigen）的全球首演出版马克斯·莱因哈特（Max Reinhardt）的速写书，以完整的数字副本的形式出版，并配有双语转录（德语-英语），从文学和戏剧美学的角度对其内容进行注释和检查。通过这样做，该动议的申请人打算支持莱因哈特的提示书的国际和上下文支持的易读性，作为一份文件，在接受和生产的美学方面都是高度翔实的。在宾汉顿大学（纽约州）马克斯·莱因哈特收藏的提示簿中，莱因哈特以舞台设计草图的形式手写了他的制作想法，对手势和说话方式进行了密集的笔记，以及使用灯光和音乐的说明。它已同意与拥有相关档案记录的机构（宾厄姆顿大学马克斯·莱因哈特档案和图书馆）合作：他们将以所有单个页面的高分辨率数字副本的形式提供整本书，并将建立一个开放访问的项目网站，以便展示所有最终的工作成果。弗莱堡工作小组的贡献主要在于印刷文本和所有莱因哈特的手写注释的数字转录，从文学和戏剧研究的角度对提示书进行分析（这将在宾厄姆顿的联合研讨会上讨论），此外，在马克斯·莱因哈特导演概念的当代材料的文件中。同时将特别关注1921年施尼茨勒的《丑剧》（skandalst<e:1> ck）在柏林首演的法庭案件。

The project aims to publish Max Reinhardt’s prompt book for the world premiere of Arthur Schnitzler’s "Reigen" as a full digital copy with a bilingual transcription (German-English), to annotate and to examine its content from a literary- and theatre-aesthetic point of view. By doing so, the applicants of this motion intend to support an international and context-supported legibility of Reinhardt’s prompt book as a document that is highly informative in terms of both the aesthetics of reception and production. In the prompt book, which is held within the Max Reinhardt Collection at Binghamton University (New York State), Reinhardt handwrote his ideas for the production in form of sketches for the stage design, intensive notes on gestures and modes of speech as well as instructions for the use of light and music. It has been agreed to cooperate with the institution owning the archival records of interest (The Max Reinhardt Archive and Libraries at Binghamton University): They will provide the entire prompt book in form of high-resolution digital copies of all individual pages and will also set up an open-access project-website in order to present all of the final work results. The contribution of the Freiburg working group - for which this application for a research and material grant is being submitted - lies mainly in the digital transcription of the printed text and of all Reinhardts’ handwritten annotations, in the analysis of the prompt book from a literary and theatre studies perspective (which shall be discussed at a joint workshop in Binghamton), and, moreover, in the documentation of contemporary materials on Max Reinhardt’s directorial concept, while special attention will be paid to the court cases concerning the premiere of Schnitzler’s "Skandalstück" (scandalous play) in Berlin in 1921.