Figures of Bodies and Societies of Ritual/Theatre in East Asia

在这个项目中，我们三个修补者从各自的角度尝试了在围绕汉(*)-中国文化的仪式或戏剧动作中，一个活的身体是如何被处理的，一个真实的社会是如何被重新塑造的，以及在新的形象中，新的象征的身体是如何被塑造的。通过微观观察和分析，我们可以发现在仪式空间内形成的新的接触引爆阶段。另一方面，在古代远东地区一个独特的理论--千古(**)运动中，证明了一个汉(*)-先验文化阶段，它象征着中国文化的后代社会。

We, three menders in this project, attempted from their each view point that in the ritual or theatrical actions around Han (*) -Chinese culture, how a living body had been dealt, how a real society had been reimaged, and inside of the new figure how the newly-symbolized body had been imaged. As the result of microscopic observation and analysis we could find out the new contact-detonated phases which was made within the ritual space.On the other hand, a Han (*) -transcendental cultural phase was certified in the movement of Gigaku (**) -a distinctive theate in anciant Far East-, which could symbolize the society descended from Chinese culture.