A Study on Chinese Avant-garde Art with a special Focus on the Revival of "Folk"Art

在1997学年，我获得了关于20世纪30年代的前卫艺术、共和时代的群众艺术和共和时代的民间艺术的期刊和书籍。我对20世纪30年代以广告为中心的大众艺术的一些方面进行了阐述，以及过去民间艺术及其与现代主义运动的关系的学术研究。这本书已于1999年2月出版，书名为《1930年代现代主义之路》。研究表明，20世纪30年代充斥着大众艺术、民间艺术、学术艺术和先锋艺术。在1998学年，我将重点放在80年代以来的当代艺术上。我搜集和分析了有关台湾民间艺术、大陆当代艺术史中国、民间艺术和大众艺术的资料。我研究了大众和民间艺术在当代前卫艺术中的意义。此外，我对群众和民间艺术有了新的认识：反政府和反城市艺术，并对中国当代艺术史进行了重新构建。其中一个成就是出版了《前卫的中国》这本书。到目前为止，我对群众和民间艺术的看法从20世纪30年代到现在的变化做出了贡献。此外，我还有一个重要的问题--“毛派模式”已经浮出水面。从此，有必要研究它的形成和转变。此外，我在1997年8月和1998年11月接受了李先廷和黄杜等北京艺术评论家的评论。

In the 1997 academic year, I have obtained periodicals and books on the avant-garde art in the 1930s, mass are in the republican era, and folk art in the Republican era. I Have clavified some aspects of mass art centred around advertisements in the 1930s, as well as past scholarship in folk art and its relation to the modernist movement. This has been published in February 1999 as "The Path of 1930s Modernism". The study has mode it clear that the 1930s was bristling with mass art, folk art, academic art and avant0-garde art.In the 1998 academic year, I have focused on the contemporary art from the 1980s onward. I have obtained and analysed materials on folk art in Taiwan, the history of contemporary art in the mainland China, and folk and mass art. I have examined the significance of mass and folk art within contemporary avant-garde art. Besides, I have taken a new look at mass and folk art as : Anti-government" and "Anti-urban" art, and raconstructed a history of Chinese contemporary art. A part of the Achievement is the publication of the book, Avant-garde China.So far, I have contributed to a changing view of mass and folk art from the 1930s up to now. Also, I have the important issue of "Maoist model" has surfaced. Henceforth, , it is necessary to investigate its formation and transformation. Furthermore, I had reviews by such Beijing art critics as Li Xianting and Huang Du in August 1997 and November 1998.