Foreign Artists in 1930s Paris : The City's Image and How the 'Paris Myth' was Transforms

上述研究是在1997-99财政年度进行的，代表着最初在1996财政年度进行的题为《20世纪30年代巴黎的外国艺术家》的研究的进一步发展和完成。按照最初的计划，我汇编了我在1997财年写的三篇论文，以及在1996财年写的其他十篇论文，并在1998财年出版了一本名为《巴黎，欣康通向Gairo no Shigaku：1930 nendai gaikokujin gejutsuka-tachi》(巴黎街头的贫困与诗歌：1930年代的外国艺术家；Toshi Shuppan1998年5月出版；500页)的单书。这本书还包括两个专门为它写的章节。这本书描述了由于纳粹主义和大萧条的影响，通常被认为是贫瘠时期的20世纪30年代的巴黎，由于…的涌入，巴黎出人意料地充满活力。更多的是逃离国外的艺术家。我在1997-98财政年度所做的工作逐渐显示出，对摄影媒介的研究对于理解“巴黎神话”在19-20世纪是如何转变至关重要的。19世纪后半叶出现在巴黎的摄影媒介在城市形象的形成中发挥了密切的作用。还有一些非常有趣的例子，来自19世纪和20世纪巴黎的许多成功作品，涉及摄影师和文学作家的合作。在研究的最后一年(1999财年)，又产生了一个新的主题--“反映巴黎形象的文学和照片”。我已经就这个主题写了一些论文(总结在本报告的附录中)，并准备将它们与其他几篇尚未撰写的论文一起出版在另一本书中。较少

The above-captioned research, conducted in fiscal 1997-99, represents the further development and completion of research initially undertaken in fiscal 1996 entitled "Foreign Artists in 1930s Paris." which was made possible by a Grant-in-Aid for Encouragement of Young Scientists (A).As originally planned, I compiled the three theses I wrote in fiscal 1997 and ten others written through fiscal 1996, and had them published in fiscal 1998 as a single book entitled Paris, hinkon to gairo no shigaku : 1930 nendai gaikokujin gejutsuka-tachi (Poverty and poetry in the streets of Paris : Foreign artists in the 1930s ; Toshi Shuppan, May 1998 ; 500 pp.). The book also contains two chapters written specifically for it. (Please refer to the attached, copy of the list of included journal articles printed at the end of the book.)The book describes how 1930s Paris, often considered a barren period due to the influence of Nazism and the Great Depression, was surprisingly vibrant thanks to the influx … More of numerous artists fleeing from abroad. Also elucidated is the emergence of a "city image" common to and crossing the boundaries of literature, painting, and photography.What gradually emerged from the work I did in fiscal 1997-98 was that research into the medium of photography is crucial to understanding how the "Paris myth" was transformed in the 19th-20th centuries. The medium of photography that appeared in the Paris in the latter half of the 19th century played an intimate role in the formation of the city's image. There also remain a few extremely interesting examples of the many successful works from 19th- and 20th-century Paris involving the collaboration of photographers and writers of literature. An additional theme grew out of this during the last year of research (fiscal 1999) -- "Literature and Photographs Reflecting the Image of Paris." I have written a number papers on this topic (summarized in an appendix to this report) and am preparing to publish them in another book along with several additional papers yet to be written. Less