Studies for the No playrs of Shundo group, before the early Edo period

1.本研究课题是继《不作为记录研究与不作为年表编订》之后的又一研究课题（1991-1993年科学研究补助金，项目编号03301054，首席研究员Akira Omote教授），研究不履约的历史;而且，从“Yoza-Oyakusha-Tekagami的重印和研究”开始，它继续了我之前对Kinsei作为utai文化的研究（1687年左右，《东京时代的无名演员》的评论）（国立日本文学研究所公报1992年第18期）2.本研究课题旨在利用江户时代早期的《无戏者志》作为野学的历史文献，特别是对和木药师的各种活动（支持不表演）。3.我研究了有关顺藤摸瓜家族和星章家族的血统的文件，然后我试图确定他们的血统。在这个研究过程中，我发现了“Gokerai-no-Kogi-Meshidasaru-Mono”。（德川幕府的政府官员，来自统治的Hagi氏族），并承认这是关于顺藤摸瓜和星章家族的非常重要的数据。4.我研究了“无班组”（不表演的记录）由顺藤摸瓜家族和Hosho家族及其追随者执行。5.我研究了顺藤摸瓜集团和Hosho集团在统治氏族中的各种活动，加贺、仙台、熊本、Hagi、土佐、尾张、纪州、水户、萨摩、广岛、富山、冈山、岩国、松本、松山、京都在江户早期，然后我一直相信的事实，他们的工作范围很广，他们在每一个地方的表现都超出了我们的预期。

1.This research project has followed "The Research for the Records of No-Performances and the Making up the Chronology about No-Performances" (Grant-in Aid for Scientific Research 1991-1993, Project Number 03301054, Head Investgator Prof.Akira OMOTE) on researching for the history of No-Performances ; moreover, it has continued from the preceding my studies for the Kinsei as utai-culture, starting from "Reprint and Study of 'Yoza-Oyakusha-Tekagami'(Comment of No-Actors in Jokyo era, around 1687)" (The Bulletin of The National Institute of Japanese Literature vol.18,1992).2.This research project aims at using the Records of No playrs in the early Edo period as documents of the history for the Nogaku, in particular for various activities of Waki-Yakusha (the support of the No-Performances).3.I have researched into the documents about lineages of the Shundo family and the Hosho family, then I have tried to decide their lineages. In the process of this research I have discovered the "Gokerai-no-Kogi-Meshidasaru-Mono" (the Goverment official in the Tokugawa-Bakufu from the ranks of rulal Hagi Clan), and acknowledged it that it's very important data about the Shundo and Hosho families.4.I have researched into the "No-Bangumi" (the records of No-Performances)performed by the Shundo family and the Hosho family as well as their followers.5.I have studied various activities of the Shundo group and the Hosho group in Rulal Clans, Kaga, Sendai, Kumamoto, Hagi, Tosa, Owari, Kishu, Mito, Satsuma, Hiroshima, Toyama, Suwa, Okayama, Iwakuni, Matsumoto, Matsuyama, and Kyoto in the early Edo period, then I have been convinced of the fact, they worked a wide field and they performed in every place beyond our expectation.