The Problem of truth in the aesthetic experience - from the viewpoints of Nietzsche, Heidegger and the philosophical hermeneutics

海德格尔曾多次尝试探讨艺术和美学主题。最著名的关于艺术和艺术作品的论文是题为《艺术作品的起源》(1935年)的三个系列讲座。为了使海德格尔在这三个讲座中关于艺术起源的立场和思想变得易懂，我努力将海德格尔的反思放在他们适当的本体论视角中，特别是论证真理的问题。海德格尔的艺术观与他对真理的正确理解(非隐蔽性、超越性、无神性)有着密切的联系。我研究的主要目的是解释清楚艺术与真理之间的这种联系。作为下一个主题，我试图将他与尼采和西方哲学家的对抗解读为康德和叔本华。在《作为艺术的权力意志》(1936-1937)的讲座中，海德格尔发表了一些非常重要的历史评论(尤其是关于康德和叔本华的)。这种与传统审美思维方式的对峙，对于理解海德格尔的新艺术观具有重要意义。

Heidegger has tried to deal with art and aethetic themes on several occasions. The best known treatises on art and art works are the series of three lectures entitled "The Origin of the Work of Art" (1935). In order to make Heidegger's position and thinking outlined in these three lectures on the origin of art understandable, I have made an effort to place Heidegger's reflections in their proper ontological perspectives and especially to argue the problem of truth. Heidegger's concept of art is strongly connected with his proper understanding of truth (Non-Concealment, Unverborgenheit, aletheia). It is my main aim of resarch to explain clearly this connection between art and truth.As the next theme I have tried to interpretate his confrontation with Nietzsche and western philosophers as Kant and Schopenhauer. In the lecture course "The Will to Power as Art" (1936- 1937) Heidegger made a number of historical remarks of great importance (especially on Kant and Schopenhauer). This confrontation with traditional way of aethetic thinking is very significant to understand Heidegger's new concept of art.