SETTING UP A WORKSTATION FOR VICTORIAN STUDIES AND PRODUCING MULTI-MEDIA TEXTS

1.从NACSIS，我已经启动了日本狄更斯联谊会的官方主页。这构成了独立于维多利亚时代的在线工作站的基础。我已经将研究金公报和成员文章数字化，特别是以PDF格式，其中的标记工具方便了在线期刊和多媒体文本的制作。对于那些不能参加联谊会会议的成员，我已经在网上把它复制成一个虚拟的会议。在那里，他们可能会以替代的方式体验它，用PDF文件作为讲义，用MP3文件做演示。为了帮助更好地理解维多利亚时代的措辞和社会背景，我用约翰·利奇的彩色插图和说明性注释对第一版《圣诞颂歌》进行了数字化。为了鼓励原创翻译，数字化文本已被改为具有图像、声音和视频文件的多媒体文本。数字音频电路的多媒体形式的实施例鼓励在万维网上冲浪的读者有意识或无意识地寻找相同的主题，回到文本本身。这就是为什么Web被称为大规模文本--即容易被广泛阅读的文本。我已经在多媒体文本中设置了这些填表，允许读者提交他或她的解释。因此，读者不仅可以浏览文本，还可以协作生产文本。

1. From NACSIS, I have launched the Japan Dickens Fellowship official homepage. This forms the basis of an on- line workstation for Victorian independently.2. I have digitized the Fellowship's bulletins and the members' articles for the workstation, especially in PDF, in which markup tools facilitate the production of on-line journals and multi-media texts.3. For those members who cannot attend the Fellowship's conference, I have reproduced it as a virtual one on the Web. There they may experience it vicariously, with PDF files for handouts, and MP3 files for presentations.4. To assist with a better, under standing of Victorian wording and social background, I have digitized the first edition of A Christmas Carol, with colored illustrations by John Leech, and with explanatory notes. The digitized text has been changed into a multi-media text with image, sound, and video files in order to encourage original interpretations.5. The embodiment in the multi-media form of digital audio circuits has encouraged a reader, surfing on the worldwide Web to return, consciously or unconsciously looking for the same theme, to the text itself. This is why the Web is called a large-scaled text - i.e., a text susceptible to very wide readings.6. I have set those fill-out forms in multi-media texts that allow a reader to submit his or her interpretation. Thus, the reader can not only browse the text, but also collaborate activity in producing it.