Research of the Ancient Athenian Vase-Painting in the Late Archaic Period

古希腊的花瓶画是珍贵的历史资料，它可以告诉我们那个时代的宗教、理想和各种社会规范。作者曾与雅典花瓶画的时期从ca。530 B B。C.至约450 B B。C.于2001年12月及2002年8月参观奥地利、德国及意大利的博物馆。这些研究带来了两个主要的文章（见11。参考文献）。特别是论文，印在“Festschrift”为F。Felten和S.希勒对古典历史学中的“他者”研究做出了贡献，这一点在今天引起了许多历史学家和考古学家的关注。本文通过对《阁楼花瓶画》中的斯基泰人（希腊人的典型外来东方种族）形象的研究，注意到其动机，似乎是在渲染这个种族的懦弱。通过对这些图像意义的分析，可以解释这种渲染是如何产生的以及产生的原因：雅典公民似乎通过这些“他者”塑造了希腊理想战士的形象。自由的男性和希腊重装步兵一定体现了这个时代的美德，特别是“索芙罗西尼”。在另一篇文章中，作者用另一个象征“他者”的符号，亚历山德罗斯巴黎，一个神话英雄，提到了人与社区之间的问题。

The Vase-Paintings of the ancient Greece are the precious historical materials, which can tell us about the religion, ideals and various social codes of those days. The author worked with the Athenian Vase-paintings in the period from ca. 530 B. C. to ca. 450 B. C. , could visit the Museums in Austria, Germany and Italy in the December 2001 and August 2002. Those Studies brought the two main articles (see 11. REFERENCES). Especially the paper, printed in the "Festschrift" for F. Felten and S. Hiller, contributes to the studies of "the Other" in the Classical History, which attracts nowadays the attention of many historians and also archaeologists. In this paper the author researched the scythian (typical foreign, eastern race for the Greek) iconography in the attic Vase-Paintings and took notice of the motive, which seems to render the cowardice of this race. The analysis of the iconographical meanings could explain how and why this rendering was made: the athenian citizens seem to have formed the images of Greek ideal warriors through these "others". Free male and Greek hoplites must have embodied the virtue of this time, particularly "sophrosyne". In the other article the author worked with another symbol for "the other", Alexandros Paris, a mythical hero, refered to the problems between the person and community.