A study of the preservation and restoration of shrine murals and door paintings of the East Asian Shin Era (1616-1912) ; Restoration of a door mural at Kousaikyu shrine in Taiwan using Japanese classical painting methods

京都佐贺艺术大学、甘乡寺文化研究中心和台湾国家文化财产保存所对位于台湾台南市的被指定为三级考古遗址的道教宫的国色宫进行了联合研究。本研究的目的是：一、研究古代壁画及门画的绘画技法与材料;二、再现壁画及门画;三、研究壁画的保存，为以后的壁画保存提供一个范例。通过访谈调查和文献研究，对这些方法进行了分析，比较了日本、中国和韩国的方法，并进行了一系列的实践实验。这项研究对于我们 ...更多信息 在现代技术正在取代传统技术的时候，我们对现代技术和古典技术进行了对比。2.在再现Kousaikyu门画时，我们使用了新时代的原始技术和颜料，以再现古典技术。在复制吴家皇家神社的门画时，我们的目标是再现原始的图像和颜色。我们与京都佐贺大学的学生合作，复制了用泥刀绘制的图画，从而采用了日本的绘画工艺。3.我们制定了保持现状的规则，并清理了绘画表面，以防止油漆剥落。我们展示了恢复和保护这些文化资产的成就。这次展览在台湾被高度评价为文化资产修复的突破。2003年和2004年，我们还在日本举办了关于研究成果的讲座，并展出了绘画复制品。少

Kyoto Saga University of Arts, Ganngoji Cultural Research Center and Taiwan National Cultural Assets Reservation Institute have conducted joint research on Taoism Temple's Shrine Kousaikyu designated as the third-grade archeological site located in Tainan City in Taiwan. The purposes of this project were as follows :1.To research classical painting techniques and materials applied to the mural and door paintings.2.To reproduce the mural and door paintings.3.To study the preservation of mural paintings thereby providing a model case for future preservation projects.1.As for the research, we focused on traditional techniques : groundwork with pig blood, wood oil painting, gilding swollen lines with gold leaf, and a technique for applying paint with a trowel. After we conducted interview surveys and literature research, we analyzed these techniques, comparing Japanese, Chinese and Korean methods, and then performed a series of practical experiments. The research would be valuable as a con … More trast of modern and classical techniques, at a time when modern techniques are replacing the more traditional ones.2.In reproducing the door painting of Kousaikyu we applied the original techniques and pigments used in the Shin Era for the purpose of the reproduction of classical techniques. In the reproduction of the door painting of the Oh royal family shrine, we aimed to recreate the original images and colors. In cooperation with Kyoto Saga University students, we copied pictures painted with a technique utilizing a trowel thereby employing Japanese painting processes.3.We made a rule for maintaining the status quo, and cleaned the surface of the paintings to prevent the paint from scaling off. We exhibited the achievement of the restoration and preservation of these cultural assets. The exhibition was highly evaluated in Taiwan as a breakthrough in the restoration of a cultural asset. We also gave lectures on the accomplishment of the research and exhibited the reproduction of paintings in Japan in 2003 and 2004. Less