Russian Formalism Reconsidered : From the Perspective of the New Paradigms of Studies of the Soviet Culture

本课题从俄苏两国文化研究的新范式出发，对俄罗斯形式主义的文化理论与实践进行了重新审视。传统的俄罗斯形式主义是结构主义的先驱，取而代之的是对文化领域的更广泛的研究，俄罗斯形式主义被认为是从20世纪20年代到30年代的先驱。野中伸弥从诗学语义的角度比较了形式主义的核心人物尤里·廷扬诺夫和英国批评家IA Richards。在20世纪上半叶兴起的一般语义学思潮的背景下，人们可以看到廷扬诺夫的诗意语言语义学计划。他强调的理解形式主义的新范式是：俄罗斯语言哲学的传统，…末期大众媒体的发展更是在十九世纪二十世纪初的俄罗斯，认识论取得了突飞猛进的发展。长谷川讨论了俄国形式主义对电影研究的启示。他清晰地展示了形式主义电影理论与苏联电影发展的一定契合性。中村从“他者”问题的角度对形式主义进行了理论分析。具体地说，将他们与米哈伊尔·巴赫金进行比较。高桥从音乐学的角度来探讨这一主题。尤其是尼古拉·梅特纳，他对艺术的理解与形式主义者形成了鲜明的对比。武田的作品以形式主义和俄罗斯移民作家为主题。也就是说，他处理了俄罗斯形式主义者和移民诗人弗拉迪斯拉夫·霍达塞维奇之间关于亚历山大·普希金的争论。总的来说，这个项目对形式主义运动的广阔领域进行了界定，这也导致了对20世纪俄罗斯文学和文化的重新思考。较少

This project made a reconsideration of the cultural theory and practices of Russian Formalism from the perspective of the new paradigms of studies of Russian and Soviet culture. The traditional understanding of Russian Formalism as a harbinger of Structuralism is replaced by a much wider scope of studies of cultural areas in which Russian Formalists are thought to have played a pioneering role from 1920s through 1930s.Nonaka made a comparison of the central figure of the Formalism Yuri Tynyanov and an English critic IA Richards in terms of poetic semantics. One can see Tynyanov's project of the semantics of poetic language against the background of the trends of the general semantics which were prosperous in the first half of the century.Kaizawa made a methodological discussion on the way of reconsidering Russian Formalism. What he underlines as the new paradigms of understanding Formalism is: the tradition of Russian philosophy of language, the development of mass media in the end of … More the nineteenth and in the beginning of the twentieth century in Russia, and the theory of cognition which made a rapid. Development in the same period.Hasegawa discusses the implications of Russian Formalism for cinema studies. He clearly shows a certain correspondence of the Formalist theory of film and the development of Soviet films.Nakamura make a theoretical analysis of Formalism in terms of the problem of "others." Concretely, be made a comparison of them and Mikhail Bakhtin.Takahashi approaches the subject from the viewpoint of musicology. Especially, he works on Nikolai Metner whose understanding of art makes a sharp contrast with that of Formalist.Takeda works on the theme of Formalism and the Russian emigrant writers. Namely, he treats the dispute between the Russian Formalists and an emigrant poet Vladislav Khodasevich on Aleksandr Pushkin.Generally, this project made a definition of the immense fields of the Formalist movement which also lead to a reconsideration of the twentieth Russian literature and culture. Less