Systemic Optimality Theoretic Studies on Japanese Phonological History

作为本研究项目取得的主要成果的一部分，包括以下两点。首先，关于音段-超音段特征交互作用的标记性约束(即Voicelss-HighPitch V.S.Voiced-LowPitch)相对于其他相关特征的系统性提升被认为发生在敬汉日语音系史上的平克·马布什时期之后。其次，在《平可玛布施》中的白鹿或武道公式化旋律部分的焦点成分中，音符几乎总是被注解的，同样，贬义性表达也是语调上的强势成分，几乎总是由音符来注解；然而，如果这两种强势成分处于相邻的位置，它们中的一种有时会被削弱。

As part of the main results obtained through this research project, the following two points are included. First, the systematic promotion of the markedness constraint concerning the segmental-suprasegmental feature interaction (i.e. Voicelss-HighPitch v.s. Voiced-LowPitch) over other relevant features is considered to have occurred after Heike Mabushi period in the phonologycal history of Keihan Japanese. Second, to focal elements in shiragoe or kudoki formulaic melody part of Heike Mabushi, musical notes are almost always annotated, and similarly, pejorative expressions are also intonationally strong elements and almost always annotated by musical notes ; however, if these two types of strong elements stand in an adjacent position, one of them sometimes weakens.