Study on mutually-referential structure and effective history concerning sketches in the journey diaries of Le Corbusier

在分析了勒·柯布西耶在“东方之旅”（1911）中留下的许多素描和照片的对象是在该地点和构图中绘制和拍摄的原因之后，通过实际研究，事实上很明显，他对体积，它们的分布和构图的兴趣，在土耳其的历史建筑和废墟中，希腊和意大利比他的素描在这次旅行开始之前，增加了，现场可以满足他的兴趣最肯定的，在很大的可能性的地方，对象和组成，已被视为中心主题，这种能力，理解这一本质是用于他后来的作品和著作。

After the analysis of the reasons why the objects of many sketches and photos left in the “journey to the East”（1911) by Le Corbusier were drawn and taken at the place and in the composition, through the practical research, it became in fact clear that his interests in the volumes, their distribution and composition, which are architecturally more essential in historical architecture and ruins in Turkey, Greece and Italy than those of his sketches before the start of this journey, had increased, that the scene which can fulfill his interests most surely, among the large possibility of places, objects and compositions, had been regarded as central theme, and that this ability to apprehend this essence is used for his later works and writings.