Research about Representations of Common People in Religious Images of Early Seventeenth Century Rome and about Their Acceptance

从16世纪末到17世纪初，在罗马，许多宗教教团和联谊会为普通人的宗教教育做出了贡献，为他们提供教义课程，前往七座族长教堂朝圣，以及40小时的神圣祈祷。对这一时期普通人的现实主义表现尤其研究了卡拉瓦乔，许多画家被贴上了他的追随者的标签。但对平民的新写实表现是这一时期罗马宗教绘画的普遍要求，这一点从对多梅尼奇诺等“古典”画家的作品分析中可见一斑。

From the end of the 16th to the beginning of the 17th Century in Rome, many religious orders and confraternities contributed to the religious education of common people offering them catechism classes, pilgrimages to seven patriarchal churches and forty hours’ devotion of the Blessed Sacrament. Realistic representation of common people in this period is especially studied about Caravaggio and many painters are labeled as “his followers”. But new and realistic representation of common people was a general requirement in the Roman religious painting of this period as isevident from the analysis of works of “classical” painters such as Domenichino.