Teika-kanadzukai, after the change of the accent system

在重音系统变化后，小野秀树继承了在各种文献中显示的原有重音(重音系统变化之前的重音)基础上的假名正字法。小野苏苏认为乔阿是根据自己的口音用假名正字法书写的，然而，乔亚是在重音系统变化后的时代出生和长大的，因此，他的假名正字法并不是基于自己的口音，而是基于他的祖父S时代文献中所反映的重音。这就是基于口音，很好地理解、理解、理解和理解了以口音为基础的假名正字法的原则但在口音系统改变后，大多数人使用文献中所示的假名正字法，只有少数人根据自己的口音使用假名正字法。后者的例子之一是秋井天皇，他批评了“Teika-kanadzukai”。

After the change of accent system, “ Teika-kanadzukai”succeeded to the kana orthography based on the former accent (the accent before the change of accent system) shown in various literatures.Susumu Ono thought Gyoa wrote with the kana orthography based on his own accent,however, Gyoa was born and grew up in the times after the change of accent system, therefore, his kana orthography was not based on his own accent but on the accent shown in the literatures reflected that used in the Chikayuki (his grandfather)’s times.That is, the principle of “ Teika-kanadzukai” that based on the accent, was well understood,but after the change of accent system, the most people used the kana orthography shown in the literatures, and only a few used the kana orthography based on his own accent. Oneof the latter examples was Emperor Chokei who criticized “Teika-kanadzukai”.