The Sketch of Temple and Shrine Treasures produced by Kano Seisen'in Osanobu

Kano Seisen‘in Osanobu是江户幕府后期江户幕府的指定画家，他积极制作经典作品的复制品，特别是寺庙和神社珍宝(珍宝复制品)。在这项研究项目中，对东京国立博物馆拥有的他的宝藏复制品进行了全面的调查，目的是澄清大三部及其弟子创作的作品的范围。特别是，在前往热海的途中复制的宝藏复制品--1843年Osanobu为了治疗目的而去过的温泉--与用他自己的话记录他职责细节的日记《Koyo Nikki》一起进行了非常详细的调查。

Kano Seisen’in Osanobu, an appointed painter of the Edo shogunate in the late Edo period, actively produced reproductions of classic works, especially temple and shrine treasures, (treasure reproductions). In this research project, a comprehensive survey of his treasure reproductions, owned by Tokyo National Museum, was conducted with the aim to clarify the scope of the works produced by Osanobu and his disciples. Particularly, the treasure reproductions copied on the way to Atami, a hot spring which Osanobu visited for healing purposes in 1843, were investigated in great detail, together with “Koyo Nikki “, a journal in which Osanobu records the details of his duties in his own words.