Research on the actor/actress of Asakusa opera in Taisho Era

本研究旨在厘清浅草歌剧及歌剧演员的特色。因此，笔者从时代、剧场环境、作品、人物四个方面进行了分析。我将研究结果归纳为六篇论文、两本书和两个报告。时代;我考虑了大正时代日本歌剧练习中的演员问题，比较了浅草歌剧的“女演员”和宝冢歌剧的“学生”。剧场环境：从建筑和剧场法两个方面对特殊的表演机构观佛教进行了验证。工作;本文分析了古诺的《浮士德》的审查剧本，若松绿的翻译和改编，并阐明了日本大歌剧早期演出的细节。人;我调查了著名的表演者森野泽谁被称为歌剧演唱家，舞蹈家，演员的能力。

The purpose of this research is to clarify the characteristic of Asakusa opera and the opera actor. Therefore I analyzed them from four points; times, theatre environment, work, and person. I summarized the results of research in six treatises, two books, and two presentations.Each main result of research is as follows. Times; I considered the problem of the actor in the Japanese opera exercise for the Taisho Era, comparing "the actress" of the Asakusa opera with "the student" of the Takarazuka opera. Theatre environment; I verified the special performance institution Kanbutsu-jyo from both sides of the construction and the theatre law. Work; I analyzed a censorship libretto Charles Gounod's "Faust", translation and dramatization by Midori Wakamatsu, and clarified the details of the early stage performances of grand opera in Japan. Person; I investigated a famous performer Morino Sawa who was known as a opera singer, dancer, and actress with the ability.