The Complete Theoretical Works of Johannes Tinctoris: A New Digital Edition

15世纪布拉班廷音乐家兼律师约翰内斯·廷克夫（Johannes Tincefe，约1435 -1511年）的12篇拉丁语理论论文被认为是中世纪晚期音乐记谱法和作曲过程最重要和最全面的来源之一，也是西欧文化这一关键时刻音乐美学和接受的重要近期研究的中心焦点。他们的内容不仅展示了一个特殊的技术指挥乐谱和理论，但也是一个亲密的熟人与当代复调实践，从广泛的知识，他的一天，他们的音乐，无论是在北方欧洲，在那里他开始了他的职业生涯，并在意大利的作曲家。该项目将完成整个语料库的新在线版本（也将以DVD格式作为更永久的资源提供），取代现有版本（Albert Seay编辑，美国音乐学研究所，1975-8），该版本长期以来一直被音乐学家认为非常不满意。完成的资源将极大地扩大双方的范围和访问Tincket的工作。除了拉丁文文本外，还将提供完整的英文翻译;在许多情况下，这些翻译将是有史以来第一次，这将进一步使学术界以外无法处理原始拉丁文的学术和基于性能的读者能够欣赏和探索论文的详细意义。还将提供多层次的超链接评论材料，涵盖文本本身以及文艺复兴时期欧洲廷克夫生活和音乐环境的更广泛背景所产生的广泛技术和历史问题。结合最高水平的历史，文本和批判性的奖学金与创新的技术演示，这个开放获取的版本探索了新的方法，将基于文本的材料与众多的，往往是复杂的，音乐的例子（包括单音和复调，定量和非定量），标点论文。另一项成果将是制作一个新的乐谱软件包，首次向学者、学生、编辑、出版商和表演音乐家提供广泛的中世纪和文艺复兴时期乐谱，其应用灵活、方便用户，具有高度的历史和印刷准确性。随着项目的进展，该版本将增加额外的层次，将使用Tincobel的主要文本作为教学资源，使用户（例如本科生和研究生，以及前现代音乐曲目的早期学者）能够通过互动参与，独立的虚拟学习和自我测试来学习和练习中世纪晚期记谱法的细节。

The corpus of twelve Latin theoretical treatises by the fifteenth-century Brabantine musician and lawyer Johannes Tinctoris (c.1435-1511) is acknowledged as one of the most significant and comprehensive sources for late medieval musical notation and compositional process, as well as a central focus for important recent research on musical aesthetics and reception at this crucial point in western European culture. Their content demonstrates not only an exceptional technical command of musical notation and theory, but also an intimate acquaintance with contemporary polyphonic practice, derived from a wide knowledge of the composers of his day and their music, both in northern Europe, where he began his career, and in Italy. This project will complete a new online edition of the whole corpus (also to be made available as a more permanent resource in DVD format), supplanting the existing edition (ed. Albert Seay, American Institute of Musicology, 1975-8) which has long been regarded by musicologists as highly unsatisfactory. The completed resource will greatly enlarge both the scope and accessibility of Tinctoris's work. Full English translations will be provided in addition to the Latin texts; in many cases these translations will be the first ever made, which will further enable the detailed significance of the treatises to be appreciated and explored by both scholarly and performance-based readers outside academia who are unable to handle the original Latin. Multiple layers of hyperlinked commentary material will also be provided, covering a wide range of technical and historical issues arising from both the texts themselves and the wider context of Tinctoris's life and musical environment in Renaissance Europe. Combining the highest levels of historical, textual and critical scholarship with innovative technological presentation, this open-access edition explores new methods of relating text-based materials to the numerous, often complex, music examples (both monophonic and polyphonic, mensural and non-mensural) that punctuate the treatises. An additional outcome will be the production of a new notation software package which will make available a wide spectrum of medieval and Renaissance musical notations for the first time to scholars, students, editors, publishers and performing musicians in a flexible and user-friendly application to a high professional level of historical and typographical accuracy. As the project progresses, the edition will have additional layers added which will use Tinctoris's primary texts as a pedagogical resource to enable users (e.g. undergraduate and postgraduate students, and early-stage scholars of pre-modern music repertories) to learn and practise the detail of late medieval notation through interactive engagement, independent virtual learning and self-testing.