Counter-histories of Queer-feminist Live Art: A Transversal Cartography

这项研究将提供对艺术家和集体的当代分析，他们的生活和实践受到同性恋和女权主义政治、美学和伦理学的影响。从2000年代后的艺术表现出发，我将通过对艺术史经典的全面研究，来展示我将论证的“酷儿女权主义”生活艺术的案例。通过这项研究，我的目标是绘制和连接一个跨国家、跨世代的酷儿女权主义生活网络，而这个网络不能聚集在一个单一的“运动”或预先建立的历史因素之下。我将争辩说，酷儿和女权主义的概念随着语境、地理和时代的变化，在美学和政治上都发生了变化，从而与特定的反文化和公众建立了联盟和混合。

This research will provide a contemporary analysis of artists and collectives whose lives and practices havebeen informed by queer and feminist politics, aesthetics and ethics. Departing from post-2000s artisticmanifestations, I will lay out the case for what I will argue is 'queer-feminist' live art by employing atransversal approach to the art historical canon.With this research I aim to map and connect, transnationally and cross-generationally, a queer-feminist liveart network which cannot be gathered under one single 'movement' or pre-established historical factors. Iwill argue that notions of queer and feminism shift and transform both aesthetically and politicallyaccording to the context, geography and period to create alliances and hybridisations with specific counter-cultures and publics.