Memory Through Landscape: The Spatial Turn in Holocaust Mediation.

随着大屠杀超越人们的记忆，研究和纪念活动出现了“空间转向”。这种方法突出了大屠杀记忆的景观，而不是个人的证词。然而，调解技术与这些景观之间的关系却很少被研究。这个实践博士将研究不同的电影制作技术，如虚拟现实，直播，360度摄像机，以及它们通过对韦斯特博克，特雷布林卡和帝国战争博物馆（IWM）的仔细研究来调解大屠杀记忆景观的方式。这个项目是及时记录和研究IWM的大屠杀画廊的转变，于2021年春季开放，我将制作三部短片和一篇书面论文，首次全面介绍电影制作技术在大屠杀纪念空间转向中的作用。

As the Holocaust moves beyond living memory, there has been a 'spatial turn' in research and commemorative practices. This approach foregrounds landscapes of Holocaust memory over the testimonies of individuals.Nevertheless, the relationship between technologies of mediation and these landscapes has been little studied. This practice PhD will examine different filmmaking technologies, such as virtual reality, livestreaming, 360 degree cameras, and the ways in which they mediate Holocaust memory landscapes through close study of Westerbork, Treblinka and the Imperial War Museum (IWM).This project is well-timed to document and study the changeover of the IWM's Holocaust Galleries, opening in spring 2021, which departs radically from graphic archive images toward contemporary landscape footage.I will produce three short films and a written thesis to present the first comprehensive account of the role of filmmaking technologies in the spatial turn in Holocaust remembrance.