Unorthodox Methods of Spatial Enquiry Within Contemporary Art Practice

这个以实践为导向的博士研究以电影为基础的实验性空间实践如何回应和重新创作地点的时间(和空间)品质。利用施密特·迪·弗里德伯格关于空间定向障碍的解读作为框定这类练习的一种手段，我将使用早期的电影制作策略、光化学技术和现场方法，作为协商地点的代表性和重要性的实践的基础，探索错位和二元性的可能性，以重塑平静的主题。我出生在南半球，有欧洲血统，爱尔兰和我的家乡塔斯马尼亚岛的沿海地区将作为这项研究的对立面。

This practice-led PhD investigates how experimental film-based spatial practices are responding to and re-authoring the temporal (and spatial) qualities of place. EmployingSchmidt di Friedberg's readings on spatial disorientation as a means of framing such praxes, I will work with early film-making strategies, photochemical technologies and on-location approaches, as the basis of a practice that negotiates the representation and materiality of place, exploring the possibilities of dislocation and duality, to recast the placial subject. Born in the Southern Hemisphere with European ancestry, coastal locations of Ireland and my home island, Tasmania, will serve as antipodal sites to orientate this research.