"C'est bien chié chanté, beuvons!': A Study of Rabelais's Fictions and their Musico-Theatrical

弗朗索瓦·拉伯雷(1494？乍一看，这部作品似乎不太可能被改编成音乐剧，但在漫长的19世纪，法国舞台上出现了6部这样的作品。这些鲜为人知的改编会如何改变我们对拉伯雷的解读？他的小说是否与他们的音乐戏剧改编有相同的结构或美学元素？检查拉伯雷的作品和他们的音乐戏剧来世之间的相互作用，我的博士学位将检查，问题化，并将适应的互惠模型历史化，将其应用于挑战社会文化和审美期望和惯例的作品，无论是16世纪还是19世纪。

The Pantagruelian prose fictions of François Rabelais (1494?-1553) would seem, at first glance, to be unlikely candidates for musico-theatrical adaptation, but over the long-nineteenth century six such works appeared on the French stage. How might these little-known adaptations change our reading of Rabelais? Do his fictions share or anticipate structural or aesthetic elements of their musico-theatrical adaptations? Examining the interplay between the works of Rabelais and their musico-theatrical afterlives, my PhD will examine, problematise, and historicise the reciprocal model of adaptation, applying it to works which challenge socio-cultural and aesthetic expectations and conventions, both of the sixteenth and long-nineteenth centuries.