The Haptic Sense in the Dada Movement: Raoul Hausmann and Sophie Taeuber-Arp's exhibition strategies

这项研究项目调查了达达展览如何组成原创展示，旨在吸引观众的全部感官，特别是触觉。在这里，触觉不仅被理解为艺术品的触觉质量，还被理解为通过其他感官刺激观众的触觉感觉。虽然展览在之前对达达的研究中已经有了特色，但它们的触觉维度还没有得到充分的检验。我的结论将为展示具有明确触觉维度的艺术品打开新的大门，比如纺织品。

This research project investigates how Dada exhibitions comprised original displays intended to engage the full range of the spectators' senses, in particular the haptic sense. The haptic sense is understood here not only as the tactile quality of the artworks, but also the stimulation of the spectator's feelings of tactility through the other senses. While exhibitions have featured in previous studies of Dada, their haptic dimension has yet to be fully examined. My conclusions will open new doors for the display of artworks with a determinedly tactile dimension, such as textiles.