Rewilding Play: Somatic Improvisation, Performance, and Eco-consciousness

即兴表演是有条理的(有指导的)，但又是自由流动的。躯体运动允许参与者通过体验感觉与自我、他人、世界建立联系(Feldenkrais，1972)。这项研究调查了如何使用身体-精神中心、接触即兴、Laban-Bartenief和Feldenkrais等实践来创建新的即兴表演形式，这些表演形式响应“狂野”，并将观众纳入玩家(全球水舞；身体制图项目；与地球站在一起)。它询问受众-参与者由此产生的具身联系的体验如何促进对自我作为世界中的生命实体的理解，潜在地导致对相互关联的生态(生态中心)意识的修订理解

Improvisation is structured (guided) yet free-flowing play. Somatic movement allows participants to connect through experiential sensation to self, others, the world (Feldenkrais, 1972). This research investigates how practices such as Body-Mind Centering, Contact Improvisation, Laban-Bartenieff, and Feldenkrais can be used to create new improvisational performance forms which respond to'the wild', and include the audience as players (Global Water Dances; BodyCartography Project; Standing with the Earth). It interrogates how the audience-participant's resulting experience of embodied connection encourages understanding of self as living entity both in and of the world, potentially leading towards a revised understanding of interconnected ecological (eco-centric)consciousness