Navigating Public Space in Iranian Cinema: Flânerie, Urbanophobia, and Gender.

本文将探讨fl<s:2>奈里在伊朗电影中的角色，以了解空间政治──性别、阶级、传统和现代──如何被呈现、协商、抵制，并投射回伊朗社会世界及其他地方。随着伊朗妇女走上街头，在一场名为“妇女、生命、自由”的革命运动中抗议强制性的头巾和父权文化，女性的flnerie呈现出一种危险和激进的性质。本研究将探讨政治斗争、女权主义活动和flaknerie如何以及为什么在伊朗电影中结合在一起。它将这样做，以揭示意义的深度，告知和解释当代抗议和flalnerie的关联美学实践，它出现在世界电影中，但在伊朗电影和生活的背景下采取了一种非常特殊的政治货币。

This thesis will investigate the role of flânerie in Iranian cinema to understand how the politics ofspace - in terms of gender, class, tradition, and modernity - are represented, negotiated, resisted,and projected back onto Iranian social worlds and beyond. As Iranian women take to the streets toprotest the compulsory hijab and patriarchal culture in a revolutionary movement called "Woman,Life, Freedom,", female flânerie has taken on a dangerous and radical nature. This research willexamine how and why political struggles, feminist activism and flânerie combine in Iraniancinema. It will do this to reveal the depth of meaning that informs and explains contemporaryprotest and the affined aesthetic praxis of flânerie that appears throughout World cinema but takeson a very particular kind of political currency in the context of Iranian cinema and life.