Exploring the Potential for Diverse Queer Representation in Dance Adaptations of Early Modern Literature through Christopher Marlowe's Edward II

本研究的目的是提出跳舞的身体作为一个富有成效的代理人，通过它来洞察早期现代文学的酷儿潜力，并探讨该时期的同性恋研究如何可以作出相当大的贡献，我们的当代和历史的性理解。它的目的是鼓励酷儿文学研究和舞蹈研究之间更多的交叉学术，为创建学科之间的分析模型和对话形式做出贡献，并提出不将语言学置于其他之上的知识生成和共享模式认识技术。该项目将为酷儿舞蹈改编产生具体的策略，并鼓励莎士比亚以外的作家的具体探索。

The aims of this study are to propose the dancing body as a fruitful agent through which to gain insight into early modern literature's queer potential, and to explore how the study of the period's homoerotics can make considerable contributions to our contemporary and historical understanding of sexuality. It aims to encourage more intersectional scholarship between queer literary studies and dance studies, to contribute towards the creation of models for analysis and forms of dialogue between the disciplines, and to propose modes of generating and sharing knowledge that do not privilege the linguistic above other epistemic technologies. The project will generate concrete strategies for queer dance adaptation, and encourage the embodied exploration of writers other than Shakespeare.