Loss, a practice for making; catalysing new methods for movement practice and performance.

这个项目关注的是如何在艺术实践中体验和概念化损失，从而提供一种使运动发挥作用的方法。通过实践即研究，该项目探索了损失概念、编排和表演之间的关系。它认为，损失可以被认为是艺术实践中的一个过程，因为艺术实践移动、创造并受制于适应和变化。考虑到超越死亡或固定事件的损失的话语，该项目通过适应和变化的镜头(哈里斯)，作为复活过去的方法的哀悼的政治(Eng和Kranz)，以及作为转变的手段的悲伤(Butler)，涉及损失(Harris)。这些概念框架将通过运动练习的过程来探索，在运动练习中，损失是一种变革性的、或适应性的、具体化的现象，反复和持续地进行。新冠肺炎大流行产生了多重损失经历，产生了一种共同感，同时被单独评估、感受和和解(哈里斯，2011年)。这项研究植根于这一历史时刻出现的问题，并促使人们追问运动本身是如何已经并始终处于损失过程中的。这个项目通过不知道、不知道、不确定和发现的创造性方法，思考如何在运动和编舞实践中永久地体验损失，以参与因为(而不是不顾)损失而留下和发现的东西。在表演短暂性(Phelan)和身体作为档案(Lepecki)的基础论述上进行绘制和贡献，损失的时间和肉体属性将被询问，以揭示损失作为一种复杂的体验渗透到基于运动的即兴创作、舞蹈研究和表演行为中。理论和实践研究将产生创造性的成果，包括讲习班和表演，这些成果将通过自我人种志文件进行反思和创造性的审查。该项目将对损失做出新的理论理解，为运动实践提供一种具有认识论价值的具体损失方法论。

This project is concerned with how loss can be experienced and conceptualised within artistic practice to inform a methodology for making movement work. Through practice-as-research, the project explores relationships between notions of loss, choreography, and performance. It argues loss can be identified as a process within artistic practice because artistic practice moves, creates, and is subject to adaptation and change. Considering discourse on loss defined beyond death or fixed event, the project engages with loss through lenses of adaption and change (Harris), politics of mourning as method to reanimate the past (Eng and Kranz), and grief as a means for transformation (Butler). These conceptual frameworks will be explored through processes of movement practice where loss is a transformative, or adaptive, and embodied phenomenon that is repeatedly and continually engaged. The Covid-19 pandemic produced multiple loss experiences, engendering a sense of commonality whilst being appraised, felt, and reconciled individually (Harris, 2011). This research is rooted in questions emerged during this historical moment and prompts interrogation of how movement itself is already and always engaged in processes of loss. This project considers how loss is perpetually experienced in movement and choreographic practice through creative approaches of not-knowing, unknowing, uncertainty and discovery to engage with what is left and discovered because (and not in spite) of loss.Drawing on and contributing to foundational discourse on performance ephemerality (Phelan) and the body as archive (Lepecki), temporal and corporeal properties of loss will be interrogated to reveal loss as a complex experience that permeates movement-based improvisation, choreographic research, and acts of performance. Theoretical and embodied research will generate creative outputs including workshops and performances, which will be reflectively and creatively examined through autoethnographic documentation. The project will contribute new theoretical understandings of loss, producing a specific loss methodology for movement practice with epistemological value.