'Headaches among the overtones': Music in the work of Samuel Beckett

这项研究是对塞缪尔·贝克特早期作品的特殊音乐品质的研究；贝克特将音乐作为文学的比较模型；具体的音乐作品和音乐的哲学概念被用作他对语言和文学极限的探索的一部分。我的工作考察了他的过程及其与音乐，语言和意义之间关系的关键问题的相关性，考虑到贝克特的作品随后在结构和效果上变得越来越音乐的方式，最后，我将考虑与贝克特文本一起工作的作曲家的后续含义。

This research is a study of the particular musical qualities of the work of Samuel Beckett, in his early work; Beckett uses music as a comparative model for literature; specific music works and philosophical notions of music are employed as part of his exploration of the limits of language and literature. My work examines his process and its relevance to key issues in the relationships between music, language and meaning, considering the ways in which Beckett's work subsequently becomes increasingly musical in its structure and effect, finally, I will consider the consequent implications of composer who work with Beckett's text.