Rorschach Audio: The Reality of Auditory and Visual Illusions

Rorschach Audio根据轶事报道和对听觉感知相关方面的正式实验研究，考虑了所谓超自然的所谓电子声音现象这一公众感兴趣的主题。电子语音现象是一种所谓的“神秘”声音录音，大多数EVP研究人员认为，这些录音构成了与来世接触的物理证据。换句话说，执行副总裁的研究人员相信，使用各种无线电和电气工程技术来记录鬼魂的声音是可能的。爱迪生和马可尼相信无线电可以实现与来世接触的可能性，执行副总裁的研究人员认为，回溯性地“招募”这样的杰出科学家为他们的研究提供了一定程度的科学可信度，其他人会认为这根本不值得。EVP的众多悖论之一是，狂热者们也认为他们的研究是“科学的”，因为他们知道他们提出的支持他们说法的证据是真实的，因为他们报告的观察是对他们真的相信自己经历过的东西的描述。研究人员利用轶事和学术来源收集了大量优秀的材料，详细描述了与罗夏音频中讨论的那些相关的其他声学错觉。这些资料将包括在项目的文件中。项目将在观众/听者对艺术表演和装置的感知的背景下探索听觉和视觉错觉之间的关系。项目将探索在音乐环境中模拟这些现象的幻觉的可能性，以期更全面地理解它们和一般的感知。

Rorschach Audio considers the subject of public interest in allegedly supernatural so-called Electronic Voice Phenomena in the light of anecdotal reports and formal experimental studies ofrelated aspects of auditory perception. Electronic Voice Phenomena are a class of allegedly 'mysterious' vocal recordings, which the majority of EVP researchers believe constitute physical evidence of contact with the afterlife. In other words, EVP researchers believe that it is possible, using various radio and electrical engineering techniques, to record voices of ghosts. Edison and Marconi believed in the possibility that radio might enable contact with the afterlife, and EVP researchers feel that retrospectively ``recruiting'' such eminent scientists lends their research a degree of scientific credibility that others would argue it simply does not deserve. One of many paradoxes of EVP is that enthusiasts also believe their research is 'scientific' because they know that the evidence they present in support of their claims is genuinely real, and because the observations that they report are descriptions of that which they really believe they have experienced.Drawing on both anecdotal and academic sources, the researcher has amassed a great deal of outstanding material detailing other acoustic illusions, related to those discussed in Rorschach Audio. This material will be included in the documentation of the project.The project will explore the relationship between auditory and visual illusions in the context of the perception by the viewer/listener of artistic performance and installation.The project will explore the possibilities of modelling the illusory perception of these phenomena in the musical context, with a view to understanding them and perception in general more fully.