Religious nonconformity and performance in Britain (circa 1620-1680)

这个项目分析了17世纪英国实行宗教不一致的方式，以及它与戏剧表演的关系。它的理论方法侧重于受众、空间、伪装、皈依和信仰；通过将其应用于历史案例研究，增加了对被禁宗教和表演的知识。

This project analyses the ways in which religious nonconformity was practised in 17th Century Britain and its relationship to dramatic performance. Its theoretical approach focuses on audience, space, dissimulation, conversion and belief; knowledge of proscribed religion and performance is increased through its application to historical case-studies.