Emotionally excited eyeblink-rate variability predicts an experience of transportation into the narrative world.

Emotionally excited eyeblink-rate variability predicts an experience of transportation into the narrative world.
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情绪激动的眉毛比例可变性可以预测进入叙事世界的运输体验。

DOI:
10.3389/fpsyg.2015.00447
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发表时间:
2015
影响因子:
3.8
通讯作者:
Okada T
Okada T
中科院分区:
心理学3区
文献类型:
--
作者:
Nomura R;Hino K;Shimazu M;Liang Y;Okada T

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集体观众交流,如口头陈述、电影和讲故事的表演,在人类文化中无处不在。本研究探讨了过去的观看经历和表现表演的差异对观众进入一个虚构的故事表演世界的传输体验的影响。在实验中,60名参与者(平均年龄= 34.12岁,SD = 13.18岁,范围18-63岁)被分配观看两种表演录像中的一种。这两种表演录像的播放方式分别是(1)为经常观看的人以传统方式播放,(2)为第一次观看的人以更容易理解的方式播放。参与者的眨眼同步通过使用基于距离的峰列、峰和间隔测量来量化。结果表明,即使是不熟悉的参与者的眨眼也会随着故事的进展而同步,并且观看体验对交通的影响很弱。相反,多元回归分析的结果表明,转移程度可以通过回顾报告的幽默经验和更高的实时变异性(即,在观看表演时眨眼间隔的对数变换SD)来预测。从眨眼同步程度和眨眼频率变异性作为观众内心体验的指标的角度对结果进行了讨论。
Collective spectator communications such as oral presentations, movies, and storytelling performances are ubiquitous in human culture. This study investigated the effects of past viewing experiences and differences in expressive performance on an audience’s transportive experience into a created world of a storytelling performance. In the experiment, 60 participants (mean age = 34.12 years, SD = 13.18 years, range 18–63 years) were assigned to watch one of two videotaped performances that were played (1) in an orthodox way for frequent viewers and (2) in a modified way aimed at easier comprehension for first-time viewers. Eyeblink synchronization among participants was quantified by employing distance-based measurements of spike trains, Dspike and Dinterval. The results indicated that even non-familiar participants’ eyeblinks were synchronized as the story progressed and that the effect of the viewing experience on transportation was weak. Rather, the results of a multiple regression analysis demonstrated that the degrees of transportation could be predicted by a retrospectively reported humor experience and higher real-time variability (i.e., logarithmic transformed SD) of inter blink intervals during a performance viewing. The results are discussed from the viewpoint in which the extent of eyeblink synchronization and eyeblink-rate variability acts as an index of the inner experience of audience members.
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