Examining how different modes mediate adolescents’ interactions during their collaborative multimodal composing processes

Examining how different modes mediate adolescents’ interactions during their collaborative multimodal composing processes
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研究不同模式如何在青少年协作多模式写作过程中调节互动

DOI:
10.1080/10494820.2019.1612450
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发表时间:
2019
影响因子:
5.4
通讯作者:
Shen, Ji
Shen, Ji
中科院分区:
教育学3区
文献类型:
--
作者:
Jiang, Shiyan;Smith, Blaine E.;Shen, Ji

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以往的研究表明,合作的性质,青少年的多模态组成过程。然而,很少有研究专门关注不同的模式如何影响学生的互动随着时间的推移。本研究旨在探讨多模式(如文本、音乐、视觉和动画)如何影响中学生在小组中创作多模式科幻小说的过程。在课外活动中,每个学生都选择了作家,科学家或设计师的角色。数据来源包括屏幕捕获视频,半结构化访谈和多模式产品。质性资料分析以小组合作为例,采用持续比较法建立互动类型代码及中介模式。调查结果表明:(1)学生倾向于提供简短的回应以继续写作实践;(2)小组讨论,而多模态写作遵循三个阶段:模式和故事探索,模式-故事整合,模式-故事完成;(3)多模态漫画促进了最多的讨论;(4)不同的模式以独特的方式支持自我导向和群体导向的贡献。本研究有助于初步了解不同的模式如何介导学生的互动,并提供了在多模态写作过程中的脚手架同伴互动的影响。
Previous research illustrates the collaborative nature of adolescents’ multimodal composing processes. However, few studies have specifically focused on how different modes influence student interactions over time. This study examines how multiple modes (e.g. text, music, visuals, and animations) mediated middle schoolers’ composing processes as they worked in small groups to create multimodal science fictions. Situated in an afterschool program, each student selected the role of writer, scientist, or designer. Data sources included screen capture video, semi-structured interviews, and multimodal products. Qualitative data analysis involved the constant comparative method to establish codes for types of interactions and the mediating modes as a case study small group collaboratively composed. Findings indicate: (1) students were inclined to provide short responses to move on with composing practices; (2) group discussions while multimodal composing followed three stages: mode and story exploration, mode-story integration, and mode-story completion; (3) multimodal comics fostered the most discussion; (4) different modes supported self-oriented and group-oriented contributions in unique ways. This study contributes an initial understanding into how different modalities mediate students’ interactions and offers implications for scaffolding peer interactions during multimodal composing processes.
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