Demarcation and Cooperation: Nazi-Persecuted Jewish Cantors in Shanghai Exile, 1938–1949

Demarcation and Cooperation: Nazi-Persecuted Jewish Cantors in Shanghai Exile, 1938–1949
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划界与合作:上海流亡期间受纳粹迫害的犹太领唱,1938 年至 1949 年

DOI:
10.1007/978-3-030-78209-2_7
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发表时间:
1949
期刊:
Musical Entanglements between Germany and East Asia
影响因子:
--
通讯作者:
Sophie
Sophie
中科院分区:
--
文献类型:
--
作者:
Fetthauer;Sophie

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从1938年开始,大约有18,000名难民从德国、奥地利和其他欧洲国家逃到上海。这些难民包括40多名犹太领唱者,其中大多数人遵循犹太教的改革自由派或保守派版本。欧洲难民在上海的历史通常是通过纠缠的概念框架。然而,犹太领唱者在上海恢复工作的方式是由团结和毅力等特点决定的。本章展示了领唱者如何通过以下方式努力维护他们的宗教和音乐身份:首先,继续他们的仪式;其次,建立一个代表他们的社会、经济和文化问题的专业协会;第三,建立一个领唱者合唱团,呈现“犹太音乐会”。
Beginning in 1938, about 18,000 refugees from Germany, Austria, and other European countries fled to Shanghai. These refugees included more than forty Jewish cantors, most of whom followed a Reformed—Liberal or Conservative—version of Judaism. The history of the European refugees in Shanghai is usually framed through the concept of entanglement. The ways in which the Jewish cantors resumed their work in Shanghai, however, were defined by traits such as solidarity and perseverance. This chapter shows how the cantors worked to preserve their religious and musical identity through, firstly, the continuation of their rites, secondly, the establishment of a professional association that represented their social, economic, and cultural concerns, and, thirdly, the foundation of a cantor’s choir which presented “Jewish Concerts.”
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