The impact of aesthetic evaluation and physical ability on dance perception.
The impact of aesthetic evaluation and physical ability on dance perception.
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DOI：
10.3389/fnhum.2011.00102
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发表时间：
2011
影响因子：
2.9
通讯作者：
Schütz-Bosbach S
中科院分区：
文献类型：
--
作者：
Cross ES;Kirsch L;Ticini LF;Schütz-Bosbach S
神经美学领域吸引了神经科学家和艺术家的注意力，他们对审美体验的神经基础感兴趣。虽然比视觉艺术的神经美学研究较少，但舞蹈神经美学是一个特别丰富的子领域，因为它不仅受到美学神经生物学研究的启发，而且还受到关于动作体验如何塑造感知的大量文献的启发。此外，它非常适合探索审美体验的具身模拟账户，该账户假定大脑感觉运动区域（称为动作观察网络（AON））内的激活是审美反应的关键要素。在本研究中，我们解决如何观察者的舞蹈审美评价是与他们的感知身体能力，再现他们所看到的动作。参与者接受了功能性磁共振成像，同时评估他们有多喜欢，以及他们认为他们可以在身体上复制专业芭蕾舞演员表演的一系列舞蹈动作。我们使用参数分析来评估大脑区域的喜好程度和感知的身体能力。研究结果显示，当参与者认为他们认为既美观又难以再现的动作时，AON的枕颞和顶叶部分的激活最强。因此，这些发现开始阐明了审美体验的具身模拟解释如何适用于观看舞蹈，并提供了初步证据，说明为什么有些人在晚上的芭蕾舞表演中找到了乐趣。
The field of neuroaesthetics attracts attention from neuroscientists and artists interested in the neural underpinnings of esthetic experience. Though less studied than the neuroaesthetics of visual art, dance neuroaesthetics is a particularly rich subfield to explore, as it is informed not only by research on the neurobiology of aesthetics, but also by an extensive literature on how action experience shapes perception. Moreover, it is ideally suited to explore the embodied simulation account of esthetic experience, which posits that activation within sensorimotor areas of the brain, known as the action observation network (AON), is a critical element of the esthetic response. In the present study, we address how observers’ esthetic evaluation of dance is related to their perceived physical ability to reproduce the movements they watch. Participants underwent functional magnetic resonance imaging while evaluating how much they liked and how well they thought they could physically replicate a range of dance movements performed by professional ballet dancers. We used parametric analyses to evaluate brain regions that tracked with degree of liking and perceived physical ability. The findings reveal strongest activation of occipitotemporal and parietal portions of the AON when participants view movements they rate as both esthetically pleasing and difficult to reproduce. As such, these findings begin to illuminate how the embodied simulation account of esthetic experience might apply to watching dance, and provide preliminary evidence as to why some people find enjoyment in an evening at the ballet.
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影响因子：
5.7
作者：
Caspers S;Zilles K;Laird AR;Eickhoff SB
通讯作者：
Eickhoff SB
影响因子：
3.4
作者：
Cross, Emily S.;Hamilton, Antonia F. de C.;Grafton, Scott T.
通讯作者：
Grafton, Scott T.
DOI：
10.1073/pnas.191355898
发表时间：
2001-09-25
影响因子：
11.1
作者：
Blood, AJ;Zatorre, RJ
通讯作者：
Zatorre, RJ
影响因子：
9.2
作者：
Casile, A;Giese, MA
通讯作者：
Giese, MA
影响因子：
3.7
作者：
Cross, Emily S.;Kraemer, David J. M.;Grafton, Scott T.
通讯作者：
Grafton, Scott T.