Statistical learning and probabilistic prediction in music cognition: mechanisms of stylistic enculturation.
Statistical learning and probabilistic prediction in music cognition: mechanisms of stylistic enculturation.
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DOI:
10.1111/nyas.13654
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发表时间:
2018-05-11
影响因子:
5.2
通讯作者:
Pearce MT
中科院分区:
文献类型:
--
作者:
Pearce MT
Music perception depends on internal psychological models derived through exposure to a musical culture. It is hypothesized that this musical enculturation depends on two cognitive processes: (1) statistical learning, in which listeners acquire internal cognitive models of statistical regularities present in the music to which they are exposed; and (2) probabilistic prediction based on these learned models that enables listeners to organize and process their mental representations of music. To corroborate these hypotheses, I review research that uses a computational model of probabilistic prediction based on statistical learning (the information dynamics of music (IDyOM) model) to simulate data from empirical studies of human listeners. The results show that a broad range of psychological processes involved in music perception—expectation, emotion, memory, similarity, segmentation, and meter—can be understood in terms of a single, underlying process of probabilistic prediction using learned statistical models. Furthermore, IDyOM simulations of listeners from different musical cultures demonstrate that statistical learning can plausibly predict causal effects of differential cultural exposure to musical styles, providing a quantitative model of cultural distance. Understanding the neural basis of musical enculturation will benefit from close coordination between empirical neuroimaging and computational modeling of underlying mechanisms, as outlined here. It is hypothesized that this musical enculturation depends on two cognitive processes: statistical learning and probabilistic prediction. Here, I review research using the information dynamics of music model of probabilistic prediction based on statistical learning to suggest a single process underlying a broad range of psychological processes involved in music perception.
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