Dynamic emotional and neural responses to music depend on performance expression and listener experience.
Dynamic emotional and neural responses to music depend on performance expression and listener experience.
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DOI：
10.1371/journal.pone.0013812
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发表时间：
2010-12-16
期刊：
影响因子：
3.7
通讯作者：
Large E
中科院分区：
文献类型：
--
作者：
Chapin H;Jantzen K;Kelso JA;Steinberg F;Large E
除了与认知的自然相关性之外，音乐还提供了一个窗口，可以了解生产，感知，体验和情感之间的亲密关系。在这里，情绪反应和神经活动被观察到，因为它们与刺激参数一起进化了几分钟。参与者聆听了一场熟练的音乐表演，其中包括音乐家用来唤起情感反应的时间和声音强度的自然波动。同一件的机械性能作为对照。在功能性磁共振成像扫描前后，参与者在听每一场表演时，在二维评级量表（唤醒和效价）上报告实时情绪反应。在功能磁共振成像扫描期间，参与者在没有报告情绪反应的情况下倾听。大脑边缘系统和大脑边缘系统区域对人类音乐表现的表达动力学做出反应，并且在听音乐期间与情感和奖励相关的激活都依赖于音乐训练。此外，时间的动态变化预测了情绪唤起的等级，以及神经活动的实时变化。BOLD信号的变化与皮层和皮层下运动区与脉搏感知一致的表达时间波动相关，并且与人类镜像神经元系统一致。这些研究结果表明，表现性的音乐表演唤起情感和奖励相关的神经激活，音乐的情感影响的听众的大脑被音乐训练改变。我们的观察结果与音乐表演通过一种移情形式唤起情感反应的想法是一致的，这种移情至少部分地基于对运动的感知和对基于脉冲的时间预期的违反。
Apart from its natural relevance to cognition, music provides a window into the intimate relationships between production, perception, experience, and emotion. Here, emotional responses and neural activity were observed as they evolved together with stimulus parameters over several minutes. Participants listened to a skilled music performance that included the natural fluctuations in timing and sound intensity that musicians use to evoke emotional responses. A mechanical performance of the same piece served as a control. Before and after fMRI scanning, participants reported real-time emotional responses on a 2-dimensional rating scale (arousal and valence) as they listened to each performance. During fMRI scanning, participants listened without reporting emotional responses. Limbic and paralimbic brain areas responded to the expressive dynamics of human music performance, and both emotion and reward related activations during music listening were dependent upon musical training. Moreover, dynamic changes in timing predicted ratings of emotional arousal, as well as real-time changes in neural activity. BOLD signal changes correlated with expressive timing fluctuations in cortical and subcortical motor areas consistent with pulse perception, and in a network consistent with the human mirror neuron system. These findings show that expressive music performance evokes emotion and reward related neural activations, and that music's affective impact on the brains of listeners is altered by musical training. Our observations are consistent with the idea that music performance evokes an emotional response through a form of empathy that is based, at least in part, on the perception of movement and on violations of pulse-based temporal expectancies.
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影响因子：
3.7
作者：
Chen, Joyce L.;Penhune, Virginia B.;Zatorre, Robert J.
通讯作者：
Zatorre, Robert J.
DOI：
10.1111/j.1749-6632.2009.04553.x
发表时间：
2009-01-01
期刊：
NEUROSCIENCES AND MUSIC III: DISORDERS AND PLASTICITY
影响因子：
--
作者：
Grahn, Jessica A.
通讯作者：
Grahn, Jessica A.
DOI：
10.1073/pnas.0935845100
发表时间：
2003-04-29
影响因子：
11.1
作者：
Carr, L;Iacoboni, M;Lenzi, GL
通讯作者：
Lenzi, GL
DOI：
10.1073/pnas.191355898
发表时间：
2001-09-25
影响因子：
11.1
作者：
Blood, AJ;Zatorre, RJ
通讯作者：
Zatorre, RJ
DOI：
10.1111/j.1749-6632.2009.04779.x
发表时间：
2009-01-01
期刊：
NEUROSCIENCES AND MUSIC III: DISORDERS AND PLASTICITY
影响因子：
--
作者：
Fujioka, Takako;Trainor, Laurel J.;Ross, Bernhard
通讯作者：
Ross, Bernhard