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Regional film culture in Brandenburg: the film archive of HFF "Konrad Wolf"

勃兰登堡的地区电影文化：HFF“康拉德·沃尔夫”的电影档案

基本信息

批准号：
227522628
负责人：
Professor Dr. Christoph Wahl
金额：
--
依托单位：
Studiengang Filmkulturerbe
依托单位国家：
德国
项目类别：
Research Grants
财政年份：
2013
资助国家：
德国
起止时间：
2012-12-31 至 2021-12-31
项目状态：
已结题

来源：
https://gepris.dfg.de/gepris/projekt/227522628?language=en
关键词：
Regional film culture Brandenburg archive

项目摘要

The research focus Regional film culture in Brandenburg is part of the larger Heisenberg Professorship for Audiovisual Heritage. Questions of audiovisual heritage are examined here in the form of an exemplary microanalysis of a regional film culture using concrete case studies. The subprojects are related to the cooperation between the Film University and Film Museum Potsdam. The HFF Konrad Wolf Film Archive (now: Film University Babelsberg KONRAD WOLF) is one of the case studies with respect to the investigation of the regional film culture. It is home to approximately 4,000 student films that have arisen at the institution since its founding in 1954. The HFF is the oldest German film school and was the only training centre for East German filmmakers during the communist era; its film stock, which includes the entire student film heritage of the DEFA, is of some film-historical significance and will be scientifically evaluated for the first time within the project. It is primarily a contextualisation of the East German student films within the European film culture, which is first and foremost against a backdrop of relative freedom offered by the film school in Babelsberg. And to which, among others, the availability of films from throughout the international history of film and the current, especially European, developments in film, also belonged as an opportunity to experiment with the corresponding cinematic ideas. It's in this space that the first films by directors such as Jürgen Böttcher, Kurt Tetzlaff, Volker Koepp, Petra Tschörtner, and Andreas Dresen came to be and with them created different designs for a renewal of East German cinema. First and foremost, the project aims to prove the links between the European film culture from the 1950s to 1980s, beginning with borrowings from Italian Neorealism and continuing in various appropriations of auteur cinema from Eastern and Western Europe. Secondly, it seeks to work out the approaches typical among authors and film school to its own cinematic positions that emerged in the wake of the borrowings and beyond that, in response to ideologically motivated guidelines and censorship. Film historical and film aesthetic narratives and concepts will be developed that make it possible to not only look at the student beginnings of East German cinema in a perspective limited to the GDR, as has been customary for a long time in the DEFA research, but to also make it legible as a contoured portion of European film history and culture.

勃兰登堡地区电影文化研究中心是海森堡视听遗产教授计划的一部分。视听遗产问题在这里以一个区域电影文化的示范微观分析的形式被审查，使用具体的案例研究。这些子项目与电影大学和波茨坦电影博物馆的合作有关。HFF康拉德·沃尔夫电影档案馆(现为巴布尔斯堡·康拉德·沃尔夫电影大学)是关于地区电影文化调查的个案研究之一。自1954年该学院成立以来，它是大约4000部学生电影的发源地。HFF是德国历史最悠久的电影学校，也是共产主义时代东德电影制片人的唯一培训中心；它的电影库存包括DEFA的全部学生电影遗产，具有一定的电影历史意义，将在该项目中首次进行科学评估。它主要是东德学生电影在欧洲电影文化中的语境，首先也是最重要的是在巴布尔斯堡的电影学校提供相对自由的背景下。其中，来自整个国际电影史的电影的可获得性，以及目前，特别是欧洲电影的发展，也属于试验相应的电影思想的机会。正是在这个领域，于尔根·伯彻、库尔特·特兹拉夫、沃尔克·科普、佩特拉·茨赫特纳和安德烈亚斯·德雷森等导演的第一批电影诞生了，并与他们一起创造了东德电影复兴的不同设计。首先，该项目旨在证明从20世纪50年代到80年代的欧洲电影文化之间的联系，从借用意大利新现实主义开始，继续从东欧和西欧的各种导演电影拨款。其次，它试图找出作家和电影学院在借用之后和之后出现的电影立场的典型方法，以回应意识形态动机的指导方针和审查制度。将开发电影历史和电影美学叙事和概念，使其不仅能够像DEFA研究中长期习惯的那样，从仅限于东德电影的角度来看待东德电影的学生开端，而且还能够使其作为欧洲电影历史和文化的一个等高线部分清晰可读。