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The Project 'General Theory of Art' [Allgemeine Kunstwissenschaft] (1906-1943): Concept - Institution - Context

“艺术通论”项目（1906-1943）：概念 - 制度 - 背景

基本信息

批准号：
233344353
负责人：
Professorin Dr. Bernadette Collenberg-Plotnikov
金额：
--
依托单位：
Institut für Philosophie I
依托单位国家：
德国
项目类别：
Research Grants
财政年份：
2013
资助国家：
德国
起止时间：
2012-12-31 至 2017-12-31
项目状态：
已结题

来源：
https://gepris.dfg.de/gepris/projekt/233344353?language=en
关键词：
Project General Theory Art Allgemeine

项目摘要

The 'General Theory of Art' is the name of an interdisciplinary initiative for art studies at the beginning of the 20th century, which combined both systematic reflection on art and artistic experience. Initiated by the philosophers Max Dessoir and Emil Utitz, it rapidly became a scientific platform with its own journal, conferences, and a professional association. This project, which inspired the scientific exchange and cooperation of art scholars from all disciplines in German-speaking countries and abroad for more than three decades, highlights the outstanding position of art theory in Germany before the rise to power of the National Socialists.The subject of the proposed research project is a multidimensional reconstruction of this interdisciplinary initiative for art studies. The 'General Theory of Art' will be focused here (1) as a concept responding to contemporary problems and conceiving different epistemologies, (2) as an institution with several platforms, and finally (3) as an initiative in a specific context playing a particular role in contemporary debates on art and leaving its mark in the history of art sciences. This research project, therefore, aims to contribute to the reflection of modern art history and philosophy of art on their own history as well as on contemporary research issues and methodology.

“艺术通论”是世纪初的一个跨学科的艺术研究的名称，它结合了对艺术的系统思考和艺术经验。由哲学家Max Dessoir和Emil Utitz发起，它迅速成为一个拥有自己的期刊，会议和专业协会的科学平台。这个项目激发了德语国家和国外所有学科的艺术学者在三十多年里的科学交流与合作，突出了国家社会主义者崛起之前艺术理论在德国的突出地位。拟议研究项目的主题是对艺术研究这一跨学科倡议的多维重建。本文将重点讨论“艺术通论”（1）作为一个回应当代问题并构想不同认识论的概念，（2）作为一个具有多个平台的机构，（3）作为一个在特定背景下的倡议，在当代艺术辩论中发挥特殊作用，并在艺术科学史上留下印记。因此，本研究项目旨在为现代艺术史和艺术哲学对自身历史以及当代研究问题和方法的反思做出贡献。