Family pictures and dynastic representation of civic families in late medieval Nuremberg (14th -16th century)

中世纪晚期纽伦堡（14 - 16 世纪）公民家庭的家庭照片和王朝代表

• 批准号: 242773831
• 负责人: Professor Dr. Peter Schuster
• 金额: --
• 依托单位: Seminar für Kunstgeschichte und Filmwissenschaft
• 依托单位国家: 德国
• 项目类别: Research Grants
• 财政年份: 2013
• 资助国家: 德国
• 起止时间: 2012-12-31 至 2015-12-31
• 项目状态: 已结题
• 来源: https://gepris.dfg.de/gepris/projekt/242773831?language=en
• 关键词: Family; pictures; dynastic; representation; civic

Research in the fields of history and art history has so far ignored the late medieval family pictures. Thus the research follows Philippe Ariès, who claimed that a sense of family developed for the first time in the 16th century to such a degree that it were reflected in the arts. Our preliminary work however proves an increasing distribution of family pictures as a new type of pictures since the middle of the 14th century. This new type occurs first in a religious context in the form of pictures of endowment, showing the benefactor with relatives, of the high nobility. About 1400 these pictures became increasingly popular with the middling sort, a phenomenon which can be traced in the chosen example of the imperial city of Nuremberg. Therefore the research project intends to explore family pictures of the 14th to the 16th century as a new type of dynastic representation by a case study of Nuremberg.It is necessary for it to date the family pictures exactly and to identify the purchasers. The research on the ways of representation and those depicted intends to show social and dynastic intentions and a late influence of the sujet of the Holy family. Further we are interested in how and when the pictures grew out of the religious context in the social spheres of civic and noble self-fashioning. In addition, family pictures have to be contrasted with other forms of dynastic politics and representation that were easily available, e.g. testamentary contracts, house historiography etc. In that, the reception of late medieval family pictures in family historiography of the 16th till the 18th century is intended to investigate too.

历史学和艺术史领域的研究迄今忽视了中世纪晚期的家庭照片。因此，这项研究遵循了菲利普·阿里亚斯的说法，他声称家庭意识在世纪首次发展到如此程度，以至于它反映在艺术中。然而，我们的初步工作证明，自14世纪世纪中期以来，家庭照片作为一种新的照片类型越来越多地分布。这种新的类型首先出现在宗教背景下的捐赠图片的形式，显示捐助者与亲戚，高贵族。大约在1400年，这些绘画在中等阶层中越来越受欢迎，这种现象可以追溯到帝国城市纽伦堡的例子。因此，本研究拟以纽伦堡为例，探讨14至16世纪的家族画作为一种新的王朝表现形式，有必要对家族画进行准确的年代测定，并确定购买者。对表现方式和所描绘的方式的研究旨在显示社会和王朝的意图以及神圣家族sujet的后期影响。此外，我们感兴趣的是，在公民和贵族自我塑造的社会领域中，这些照片是如何以及何时从宗教背景中成长起来的。此外，家庭照片必须与其他形式的王朝政治和代表性，很容易获得，如遗嘱契约，家庭史学等，在16至18世纪世纪的家庭史学接受中世纪晚期的家庭照片进行了调查。