权益分类	功能权益	普通用户	{{item.name}}会员
{{category.name}}	{{benefitItem.name}}

Holiness adorns your house Discourses on the "beauty of your house, LORD" in the context of sanctification of monastic life

圣洁装饰你的殿堂在修道院生活的圣化背景下谈论“主啊，你的殿堂多么美丽”

基本信息

批准号：
252384149
负责人：
Professorin Dr. Heidrun Stein-Kecks
金额：
--
依托单位：
Institut für Kunstgeschichte
依托单位国家：
德国
项目类别：
Research Units
财政年份：
2014
资助国家：
德国
起止时间：
2013-12-31 至 2019-12-31
项目状态：
已结题

来源：
https://gepris.dfg.de/gepris/projekt/252384149?language=en
关键词：
Holiness adorns your house Discourses

项目摘要

Choosing monasticism as the context of study, we choose a context in which holiness is explicitly postulated as an act of constitution and sacralization as a goal of this specific way of life. It is in the same time the context where the debate on the appropriateness of holy images, which is a central topic in Christian Theology and to be discussed in the context of non-christian dicourses on holy images, is intensified when in the early 12th century Bernard of Clairvaux criticized within the general reform of the Church and the monastic life the opulence of decoration and images in the exclusive sphere of monasteries; here the décor could not function to educate an illiterate audience; thus the traditional didactic argument in favor of sacred art was not fulfilled. The project studies theological texts and monumental iconographic programs from the late 11th until the turn of the 13th century looking at its contribution to the discourses on images of the High Middle Ages and examines the assumption that the new pictorial concepts take up holiness as a central argument within the visual discourse. This notion is based on psalm 25/26,8 “I love the beauty of your house, LORD” which first appeared in its literally exegesis as an affirmative argument for the material decoration in churches in the 12th century (Suger von St. Denis, Theophilus presbyter). The in some way corresponding psalm 92/93,5 according to which “Holiness adorns your house, LORD, for all time” opens up the way for the conception of visual programs in monastic spaces such as the presbytery and the cloister to develop appropriate pictorial programs for the way of life of this exclusive audience aimed at anticipating sacredness and striving for spiritual healing. The implicit aesthetic dimension within the texts is easily comprehensible and can be analyzed by means of the outstanding preserved monuments. When the monastic life becomes the focus of attention – most recently by Giorgio Agamben under the innovative approach as a dispositif –, the study of the visual dispositif of decoration of specific monastic kind of Domus Dei adds on to its complex exegesis. Besides new findings in the analysis of known texts and ensembles of décor, the Tractatus of Boto of Prüfening, De domo Dei, which has barely been acknowledged, as well as a new ensemble of a monastery´s chapel with complete mural painting will be introduced into research.

选择修道作为研究的背景，我们选择了一个背景，在这个背景中，圣洁被明确地假定为宪法和神圣化的行为，作为这种特定生活方式的目标。与此同时，在世纪早期，克莱尔沃的伯纳德在教会和修道院生活的普遍改革中批评了修道院专属领域的装饰和图像的丰富性，从而加剧了关于圣像是否合适的辩论，这是基督教神学的一个中心话题，也是非基督教圣像问题的讨论背景;这里的装饰不能起到教育文盲观众的作用;因此，传统的教义论点赞成神圣的艺术是不符合的。该项目研究了从11世纪末到13世纪世纪之交的神学文本和纪念性图像计划，着眼于其对中世纪盛期图像话语的贡献，并考察了新的图像概念将神圣作为视觉话语中的中心论点的假设。这个概念是基于诗篇25/26，8“我爱你的房子的美丽，耶和华”，这第一次出现在其字面上的注释作为一个肯定的论点，在教堂的材料装饰在12世纪（Suger冯圣丹尼斯，西奥菲勒斯长老）。在某种程度上相应的诗篇92/93，5根据“圣洁装饰你的房子，耶和华，永远”开辟了道路，为视觉节目的概念，在修道院的空间，如长老会和修道院，以发展适当的绘画节目的生活方式，这一独家观众旨在预期神圣和努力精神愈合。文本中隐含的美学维度很容易理解，并可以通过保存完好的杰出纪念碑进行分析。当修道院生活成为人们关注的焦点时--最近是由乔治·阿甘本（Giorgio Agamben）在创新的方法下将其作为一种装饰--对特定修道院类型的Domus Dei装饰的视觉装饰的研究增加了其复杂的注释。除了对已知文本和装饰合奏的分析中的新发现外，还将引入研究中的《普吕芬宁的博托哲学论》、《德多莫·德》，这本书几乎没有得到承认，以及一个带有完整壁画的修道院小教堂的新合奏。