The music practice of German immigrants in Santa Catarina, Brazil (c. 1850 to c. 1900) between integration, segregation and Pan-Germanism

巴西联邦圣卡塔里纳州可以被视为德语移民社区历史和现状的典范，因为他们在世纪中期的大移民浪潮中在地球仪的许多国家，如美国，中国，阿根廷或澳大利亚发展起来。使用德国移民的例子，特别是在城市的Blumenau，Pomerode，弗洛里亚诺波利斯（或Desterro，分别），阿斯克，和Joinville之间c。1850年，C。1900年，该项目将侧重于一个外来国家-巴西帝国，成立于1822年，并于1889年成为巴西共和国-内的定居者的基本上同质的移民社区的音乐实践的意义，一方面作为保持文化身份的手段，另一方面作为跨文化身份转换的手段。该项目的另一个目的是，第一次从德国的角度出发，重建、批判性地审视和历史性地评估德国移民的音乐史，这同时也是一部巴西音乐史，其复杂性和跨文化维度，也是一部十字架史。该项目将集中在四个方面：（i）德国戏剧的保留剧目（二）音乐会和歌剧出现在当时的德语期刊上，即它们的公众接受度;（iii）这种音乐实践的社会条件，即德国和德国-巴西观众的构成，其对保留曲目的影响，以及（iv）在寻找或之后的问题，这两个时期分别是文化认同的确立以及德国人和巴西人在政治动荡背景下的跨文化日常生活的转变（例如1872年德意志帝国的建立; 1889年巴西帝国的废除; 1890年左右德意志帝国主义的开始）。作为科学产出，计划做出以下贡献：一本专著;至少六篇期刊文章（同行评审）或书籍章节;根据题为“18世纪和19世纪欧洲以外德国移民的音乐”的国际会议论文编辑的卷（将在UDESC Florianópolis组织，大概在2016年3月）。此外，每个奖学金年度应至少在国际会议上发表两篇论文。

The Brazilian Federal State of Santa Catarina can be regarded as a model for the history and present of German-speaking immigrant communities as they have developed in many countries across the globe like in the USA, in China, Argentina, or Australia during the great emigration wave in the middle of the 19th century. Using the example of German immigrants especially in the cities of Blumenau, Pomerode, Florianópolis (or Desterro, respectively), Brusque, and Joinville between c. 1850 and c. 1900, the project will be focussed on the significance of musical practices of a largely homogeneous immigrant community of settlers within an alien state - the Empire of Brazil, founded in 1822 and turned into the República dos Estados Unidos do Brasil in 1889 - as a means of keeping ones cultural identity on the one hand and of intercultural identity transformation on the other hand. A further aim of the project is, for the first time from a German perspective, to reconstruct, scrutinise critically and evaluate historically the music history of German emigrants, which is at the same time a Brazilian music history, in its complexity and cross-cultural dimension, also in the sense of a histoire croisée. The project will be concentrated on four aspects: (i) the repertoires of German theatre (associations) and concert organisations in Santa Catarina in opera and the so-called serious music; (ii) the presence of concert and opera in the German-speaking periodicals of the time, i.e. their public reception; (iii) the social conditions of this musical practice, i.e. the composition of the German and German-Brazilian audience, its influence on the repertoires and (iv) the question after the search for or, respectively, the assertion of cultural identity as well as after the transformation in the intercultural daily life between Germans and Brazilians against the background of political upheavals (e.g. the foundation of the German Empire in 1872; the abolition of the Brazilian Empire in 1889; the beginnings of German imperialism around 1890). As scientific output, the following contributions are planned: a monograph; at least six journal articles (with peer-review) or, respectively, book chapters; an edited volume, based on the papers of an international conference entitled - The Music of German emigrants outside Europe in the 18th and 19th centuries - (to be organised at the UDESC Florianópolis, presumably in March 2016). Furthermore, at least two paper presentations shall be given at international conference per scholarship year.