Affective Dynamics of Images in the Era of Social Media: Photographic Testimonies, Images of Martyrs and Videos of Suicide-Bombers in North and West Africa (B01)

社交媒体时代图像的情感动态：北非和西非的摄影证言、烈士图像和自杀式炸弹袭击者的视频（B01）

• 批准号: 278903844
• 金额: --
• 依托单位: Kunsthistorisches Institut (WE 2)
• 依托单位国家: 德国
• 项目类别: Collaborative Research Centres
• 财政年份: 2015
• 资助国家: 德国
• 起止时间: 2014-12-31 至 2018-12-31
• 项目状态: 已结题
• 来源: https://gepris.dfg.de/gepris/projekt/278903844?language=en
• 关键词: Affective; Dynamics; Images; Era; Social

The project, informed by art history and media anthropology, examines the image repertoires of current political protest movements on the basis of two regional case studies on Egypt (uprisings 2011) and South Africa (#RhodesMustFall and others, since 2012). By analyzing image testimonies from social media, the project aims to trace how affective dynamics are formalized in images and to investigate how they eventually become iconic as emotionally grounded image formulas (of indignation, resistance, mourning, etc.). This also includes to scrutinize broader networks of iconographic genealogies and traditions (e.g. historical and trans-local references), which are effective in digital image cultures of protest.

该项目以艺术史和媒体人类学为基础，在埃及（2011 年起义）和南非（自 2012 年起#RhodesMustFall 等）两个地区案例研究的基础上，审视当前政治抗议运动的图像库。通过分析社交媒体上的图像见证，该项目旨在追踪情感动态如何在图像中形式化，并研究它们如何最终成为标志性的情感基础图像公式（愤怒、抵抗、哀悼等）。这还包括审查更广泛的图像谱系和传统网络（例如历史和跨地方参考），这在抗议的数字图像文化中是有效的。