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Music history on stage: constructions of the musical past in musical theatre

舞台上的音乐史：音乐剧中音乐过去的建构

基本信息

批准号：
282607863
负责人：
Professorin Dr. Anna Langenbruch
金额：
--
依托单位：
Institut für Musik
依托单位国家：
德国
项目类别：
Independent Junior Research Groups
财政年份：
2016
资助国家：
德国
起止时间：
2015-12-31 至 2021-12-31
项目状态：
已结题

来源：
https://gepris.dfg.de/gepris/projekt/282607863?language=en
关键词：
Music history stage constructions musical

项目摘要

Be it Mozart or the Beatles, Marlene Dietrich, Stradivari's violin, Riemann's dictionary of music - figures, events, compositions, practices and even scholarly texts from the history of music have been represented in musical theatre for hundreds of years. These stage events combine music, theatre and historical narrative by explicitly referring to music historical subjects. The project at hand examines this historiographical musical theatre systematically from its beginnings around 1750 to the present day. By detailing essential dimensions of the production of music historical knowledge it develops a new conception of music historiography integrating art, science and everyday life. It describes knowledge as a sociocultural process of negotiation revealing interactions between sound and sense, action and narrative, theory and practice.The initial idea of the project is that people create and experience music history on stage as a representation of history in the event. This situational, inter-medial display of music history differs widely from current written or cinematic approaches. It is particularly useful when trying to capture the importance of non-verbal knowledge, especially acoustic knowledge, for music historical knowledge. At the same time, this still on-going practice shows the past and present impact of non-academic music history and its close interdependency with scholarly historiography. These leading hypotheses arise from the applicant's preliminary work on the research corpus, on representations of historical or fictional musicians in musical theatre as well as on the representation of history in music in general. They combine approaches of historical musicology, Sound Studies and the history of historiography and will be historically and systematically tested and specified in the current project.On the level of musical theatre the project starts by asking how historiographical musical theatre tells its stories - using composition, interpretation, performance, words or images -, and how people experience this. As its research focus is music history, the project concentrates especially on the role of sound and hearing in this context. On the level of historiography the project uses historiographical musical theatre to compare music history in- and outside of the academic world and to analyse techniques of music historiography in different media. Thus, the project wants to enlarge the concept of knowledge taking sound and everyday levels of the production of music historical knowledge adequately into account. At the same time, it seeks to determine whether and to what extent its findings on the relationship between medium and object of music historiography can be applied to other arts. Music history on stage thus opens new perspectives for the history of knowledge of the arts.

无论是莫扎特、披头士、玛琳·黛德丽、斯特拉迪瓦里的小提琴，还是黎曼的音乐词典——音乐史上的人物、事件、作品、实践，甚至学术文本，数百年来都在音乐剧中得到了体现。这些舞台事件通过明确提及音乐历史主题，将音乐、戏剧和历史叙事结合起来。手头的项目从1750年开始到现在，系统地研究了这个历史编纂音乐剧。通过详述音乐史知识生产的基本维度，它发展了一种集艺术、科学和日常生活为一体的音乐史编纂的新概念。它将知识描述为一个协商的社会文化过程，揭示了声音与感觉、行动与叙事、理论与实践之间的相互作用。这个项目最初的想法是让人们在舞台上创造和体验音乐史，作为历史在事件中的表现。这种情境化的、中间化的音乐历史展示与当前的书面或电影方式有很大不同。当试图捕捉非语言知识，特别是声学知识对音乐史知识的重要性时，它特别有用。与此同时，这种仍在进行的实践显示了非学术音乐史的过去和现在的影响，以及它与学术史学的密切相互依存。这些主要假设来自申请人对研究语料库的初步工作，关于音乐剧中历史或虚构音乐家的表现，以及一般音乐中历史的表现。它们结合了历史音乐学、声音研究和史学的方法，并将在当前的项目中进行历史和系统的测试和指定。在音乐剧的层面上，该项目首先询问历史编纂的音乐剧如何讲述它的故事——使用构图、解释、表演、文字或图像——以及人们如何体验这一点。由于其研究重点是音乐史，该项目特别关注声音和听觉在这一背景下的作用。在史学层面，该项目使用史学音乐剧来比较学术界内外的音乐史，并分析不同媒体的音乐史编纂技术。因此，该项目希望扩大知识的概念，充分考虑到音乐历史知识的声音和日常生产水平。同时，它试图确定其关于音乐史学的媒介和对象之间关系的发现是否以及在多大程度上可以应用于其他艺术。因此，舞台上的音乐史为艺术知识的历史开辟了新的视角。