Immersive Digital Reality

沉浸式数字现实

• 批准号: 283369270
• 负责人: Professor Dr.-Ing. Marcus Magnor
• 金额: --
• 依托单位: Institut für Computergraphik
• 依托单位国家: 德国
• 项目类别: Reinhart Koselleck Projects
• 财政年份: 2016
• 资助国家: 德国
• 起止时间: 2015-12-31 至 2022-12-31
• 项目状态: 已结题
• 来源: https://gepris.dfg.de/gepris/projekt/283369270?language=en
• 关键词: Immersive; Digital; Reality

Motivated by the advent of mass-market head-mounted immersive displays, the proposed project will pioneer the technology needed to experience recordings of the real world with the sense of full immersion as provided by VR goggles. To achieve this goal, a number of interdisciplinary, tightly interrelated challenges from video processing, computer graphics, computer vision, and applied visual perception need to be addressed collectively: Instead of filming a shot from the outside looking in, the action must now be captured and digitally modeled omni-directionally from within the scene; to facilitate motion parallax and stereoscopic vision during display, authentic views of the recorded scene must be created in real-time for arbitrary viewing position and direction; and to optimize the visual experience of full field-of-view immersive displays, perception-aware rendering algorithms must simultaneously accommodate the characteristics of our foveal and peripheral vision. This five-year research endeavor sets out to develop the means needed to experience the recorded real world in full immersion: The overall objective of the proposed project is to import the real world into immersive displays, laying the foundations for the way we may watch movies in the future by leaving fixed-viewpoint, limited field-of-view screens behind for a completely immersive, collective experience.

由大众市场上的沉浸式展示出现的激励，拟议的项目将率​​先通过VR Goggles提供的充分沉浸感体验现实世界所需的技术。为了实现这一目标，需要集体解决视频处理，计算机图形，计算机图形，计算机视觉和应用视觉感知所面临的许多跨学科，紧密相互关联的挑战：现在必须捕获并以数字方式捕获动作，而不是从外面拍摄镜头，而是从现场中以数字方式建模；为了促进展示过程中运动视差和立体视觉，必须实时创建记录场景的真实视图，以实现任意观看位置和方向；为了优化完整的视野沉浸式展示的视觉体验，感知感知的渲染算法必须同时适应我们的凹和外围视觉的特征。这项为期五年的研究努力旨在开发所需的手段，以全面体验现实的现实世界：拟议项目的整体目标是将现实世界导入沉浸式展示，为我们未来观看电影的方式奠定了基础，通过留下固定观看量，有限的观察现场景观，以获得有限的现场视野屏幕，以获得完全沉浸式的集体，集体的经验。