FOR 2603: Russischsprachige Lyrik in Transition: Poetische Formen des Umgangs mit Grenzen der Gattung, Sprache, Kultur und Gesellschaft zwischen Europa, Asien und Amerika

FOR 2603：转型中的俄语诗歌：处理欧洲、亚洲和美洲之间流派、语言、文化和社会界限的诗歌形式

• 批准号: 322951369
• 金额: --
• 依托单位: Lehrstuhl für Slavische Literaturwissenschaft
• 依托单位国家: 德国
• 项目类别: Advanced Studies Centres in SSH
• 财政年份: 2017
• 资助国家: 德国
• 起止时间: 2016-12-31 至 2022-12-31
• 项目状态: 已结题
• 来源: https://gepris.dfg.de/gepris/projekt/322951369?language=en
• 关键词: 2603; Russischsprachige; Lyrik; Transition; Poetische

Poetry has experienced unexpected popularity and a surge in productivity since the end of the 20th century, despite being a rather marginal and elitist genre in Europe. People of all social groups, age groups, languages, and cultures are not only reading poetry but also writing it. This is particularly true in Russia. Following the collapse of the Soviet Union, writers, scholars, and critics reorganized themselves and expanded their attention to include international liter-ature in Russian. By taking advantage of new possibilities in media and communication, Rus-sian-language poetry has spread throughout a transnational field, engaging other languages and nationally defined literatures. The proposed project investigates this research area, span-ning a period from the beginning of the Perestroika (1985) to the present. On the basis of historical, political, and literary factors, the project limits its scope to the role Russian-language poetry plays in three regional contexts: Europe, Asia, and the Americas. In all three cases, a prominent and growing exchange exists, whether due to emigration, literary influence, or geo-graphical proximity; and, in each case, this project takes the necessary step of accounting for the conditions of poetry specific to native as well as relational circumstances. The guiding question of this project is transition, a key feature of contemporary poetry, in its multiple forms and functions. In contemporary poetry, transition refers specifically to four types of boundary, corresponding to the following four research areas: boundaries between (F1) genre(s), (F2) language(s), (F3) culture(s), and (F4) society/ societies. During the initial application phase, the project will focus on Russian language poetry and its significant literary relationships to German, Chinese, and Japanese poetry. In the extension phase, the research area will expand to include (a) poetry in English and the Romance languages, (b) contemporary poetry within other media, genres, and disciplines, and (c) comparisons among different kinds of genre tran-sitions. The team proposing this project has established a unique constellation of disciplines and researchers, including a network of 150 individuals who hold international acclaim in the scientific community for their engagement with poetry at the University of Trier. This network is optimally qualified to address the questions and research areas described above. Based in the department of Slavic Studies, the project will thus establish a one-of-a-kind center for in-ternational research on genre, media, and culture using a comparative framework distinctively significant to the context of contemporary poetry.

自 20 世纪末以来，尽管诗歌在欧洲是一种相当边缘和精英主义的流派，但它却意外地受到欢迎，生产力大幅提高。所有社会群体、年龄层、语言和文化的人们不仅在阅读诗歌，而且在写作。在俄罗斯尤其如此。苏联解体后，作家、学者和批评家进行了重组，并将注意力扩大到俄语国际文学。通过利用媒体和传播的新可能性，俄语诗歌已经在跨国领域传播，吸引了其他语言和民族文学。拟议项目调查这一研究领域，跨越从改革开始（1985）至今的时期。基于历史、政治和文学因素，该项目将其范围限制在俄语诗歌在欧洲、亚洲和美洲三个区域背景中所扮演的角色。在这三种情况下，无论是由于移民、文学影响还是地理接近，都存在着显着且不断增长的交流；并且，在每种情况下，该项目都采取了必要的步骤来考虑诗歌特定于本土以及相关环境的条件。该项目的指导问题是过渡，这是当代诗歌的多种形式和功能的一个关键特征。在当代诗歌中，过渡特指四种边界，对应于以下四个研究领域：（F1）流派、（F2）语言、（F3）文化和（F4）社会之间的边界。在最初的应用阶段，该项目将重点关注俄语诗歌及其与德国、中国和日本诗歌的重要文学关系。在扩展阶段，研究领域将扩大到包括（a）英语和浪漫语言诗歌，（b）其他媒体、流派和学科内的当代诗歌，以及（c）不同类型流派转换之间的比较。提出该项目的团队建立了一个独特的学科和研究人员队伍，其中包括 150 名个人组成的网络，他们因在特里尔大学从事诗歌研究而在科学界享有国际赞誉。该网络最适合解决上述问题和研究领域。因此，该项目将以斯拉夫研究系为基础，利用对当代诗歌背景具有独特意义的比较框架，建立一个独一无二的流派、媒体和文化国际研究中心。