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Materiality and Knowledge. The Aesthetics of the Music Archive as an Institution.

物质性和知识。

基本信息

批准号：
341638119
负责人：
Professorin Dr. Birgit Abels
金额：
--
依托单位：
Ethnologisches Museum
依托单位国家：
德国
项目类别：
Research Grants
财政年份：
2016
资助国家：
德国
起止时间：
2015-12-31 至 2020-12-31
项目状态：
已结题

来源：
https://gepris.dfg.de/gepris/projekt/341638119?language=en
关键词：
Materiality Knowledge.Aesthetics Music Archive

项目摘要

Historical sound recording archives are places of knowledge. This knowledge is simultaneously constructed through and part of the materiality of the sound objects that contain them, and it resides in the order of knowledge that they produce and represent as well as in the institutions that they both stand for and are a part of. Considering and building on recent developments in critical archival theory, this project argues that the relevance of sound archives for and their potential influence on contemporary musical practices and discourses are not only achieved through the historical narrative that they afford, but are also attained through their distinctive aesthetic.This distinctive aesthetic is here understood as those effects that make the material"s articulation, prefiguration, and manifestation of a hierarchical order of knowledge sense-able. Making orders of knowledge perceptible in this way does not happen through singular archival material. Rather, such ordering happens through archival structuring, which gives archives a specific form that can, in turn, become semantically and symbolically charged. Simultaneously, the archive labels and categorizes itself and builds itself as a structure so that a self-referential, inner-archival structure emerges. This results in an archive-specific mode of transmission that, like other aesthetic forms, has affective potential. This distinctive archival aesthetic and its far-reaching analytical potential for musicology at large are the focus of the proposed research project. Concretely, this entails the systematic analysis of various archives containing North Indian raga music. The van Lamsweerde collection, stored at the Musicological Department at the Georg August University Göttingen, is the project"s core analytical material. At the end of the project, a highly academically relevant collection will be accessible for future research. On a theoretical level, this transdisciplinary, pioneering research project examines the exceptional and exceptionally powerful specifics of sound archives as locations of knowledge.

历史录音档案是知识的宝库。这种知识同时是通过包含它们的声音对象的物质性来构建的，并且是其物质性的一部分，它存在于它们产生和代表的知识秩序中，也存在于它们所代表的机构中，并且是它们的一部分。本项目以批判性档案理论的最新发展为基础，认为声音档案对当代音乐实践和话语的相关性及其潜在影响不仅是通过它们所提供的历史叙事来实现的，而且还通过它们独特的美学来实现。这种独特的美学在这里被理解为使材料的表达，预示，和知识的等级秩序的体现。以这种方式使知识的秩序变得可感知，并不是通过单一的档案材料发生的。相反，这种排序是通过档案结构化来实现的，它赋予档案一种特定的形式，反过来，这种形式又可以在语义和象征上被赋予意义。与此同时，档案馆给自己贴上标签，进行分类，并将自己构建成一个结构，这样一个自我参照的、内部的档案结构就出现了。这导致了档案特有的传播模式，像其他美学形式一样，具有情感潜力。这种独特的档案美学及其对音乐学的深远分析潜力是拟议研究项目的重点。具体地说，这需要系统地分析各种档案包含北印度拉加音乐。货车Lamsweerde收藏品存放在格奥尔格·奥古斯特大学哥廷根音乐系，是该项目的核心分析材料。在项目结束时，一个高度学术相关的集合将可用于未来的研究。在理论层面上，这个跨学科的开创性研究项目探讨了声音档案作为知识场所的特殊和异常强大的细节。